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moley6knipe

⭐Supporting Member⭐
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Posts posted by moley6knipe

  1. 1 hour ago, Bolo said:

    P_20240104_205817.thumb.jpg.4ff6f4b1ae72759e27e0f424a764b141.jpgMany changes over the years, now in a 19inch sized Thon case.

     

    Bass > Gate (decimator) > Compressor > Tuner splits bypass into the amp (Aguilar db750) and output channel to the Verellen preamp that runs to the effect return of the amp.

     

     

    So nice. Any board with a Meatsmoke probs wins the day to be honest. 

    • Like 3
    • Thanks 1
  2. On 23/12/2023 at 07:45, LukeFRC said:

    That’s a good idea - wish that had been around a year or so ago when I got my first board - would have been a lot cheaper than the Cioks and Voodoo lab dingbat  combo I ended up with.

     

    mind you the after looking at them I am reminded that the smallish size of my board is a helpful guard from buying too many pedals 

    Mods - isn’t the phrase “the smallish size of my board is a helpful guard from buying too many pedals” an instant ban?!

    • Haha 5
  3. 1 hour ago, lidl e said:

    Working on a mini board for shows.

     

    Will replace the custom dual distortion with a red muck, get a new compressor and lose the tuner as the plethora has one built-in.  The plethora will sit on the board when i get the pedals

     

     

    Just trying to decide on what compressor. MXR or Empress

     

    This board will give me everything i need i think. 

     

    The actual board is one of those Harley Benton powered spaceship with the built in power supply.

     

    20231222_214332.thumb.jpg.e842876594bcb5aaeec3f12d2cb99a5c.jpg

     

    Good grief. IT’S GOT THE POWER BUILT INTO THE FRAME. Some of them have USB outlets as well. This is interesting!!

  4. On 05/12/2023 at 10:58, Chienmortbb said:

    It bugs me that:

    • any bass is not offered in Black.
    • a headstock on a 4 string has a 3 + 1 machinehead pattern.
    • someone says they can only use one brand or type of bass,

     

    What are your prejudices?

    Excellent thread 👏🏻

     

    - 5 strings, B-G

    - 18mm or less at the bridge

    - two soapbar shape humbuckers

    - need to see the grain in the body wood

    - three band active 18v preamp

    - side mounted jack

    - 10lbs or less

    • Like 1
  5. Last one of the year for me tonight (Sat 16th). 4 Play 🤨 at Smith’s in Bourne. Good! 9 til 11:20, two sets. Played well, chucked in Can’t Get Enough without rehearsal and it was fine. Fairly quiet but everyone enjoyed it!

     

    Tight setup, and struggling for power points (I give in - I’ll bring my box of cables in future, it’s not my band / PA but…). Drummer had an amazing new sparkle green Gretsch. Bloody lovely!

    • Like 9
  6. 12 hours ago, Steve_M said:

    This is mine at the mo. Really happy with it but still want to replace the Pork & Pickle with a Doom2 if I can ever manage to buy one! Signal chain for the nerds like me out there is:

     

    Wireless receiver > Tuner > Stomp with Cali76 on FX loop 1 & Pork & Pickle > VMT (for stacking dirt) on FX loop 2 > Noble

     

    Powered by a Cioks DC7

     

    Also should note that the VMT is one of the Spencer Doren built ones.

     

     

    IMG_3765.jpg

    Boss WL-60 Is great, isn’t it? Really

    impressed with the one I picked up on here recently. 

    • Like 2
  7. 22 hours ago, casapete said:

    We were at Chelmsford Civic theatre last night. A 400 mile round trip for us, so a long day.

    Sold out crowd of around 500, nice sounding room and good stage. However, about 3 songs

    into our first set, I heard a crackling noise from my amp. Went off, then returned next song.

    Our brilliant tech Sam quickly swapped my leads (guitar to DI / DI link to amp) and it seemed okay,

    then started playing up again. Sam then got my spare amp out and swapped it over and the

    problem disappeared. First time I’ve had to use my spare, so glad it was there. Also first

    time a GK amp has given me problems, BUT! Our sound tech said it sounded to him more likely

    to be a faulty XLR cable from the DI to the desk than the amp. Anyway, finished the gig using

    the spare head, and have one more gig to do tomorrow in Penistone before we finish for this year. 
    I’m going to get there early and try to pin down what the fault is - it’s a fairly local gig for us (70

    miles away) so not a problem. 

    I’m with Sam on this @casapete - along with cockroaches, GK amps would survive nuclear apocalypse!

    • Like 2
  8. 57 minutes ago, paul_5 said:

    Really depends on the setlist - if it was disco/funk stuff then I'd plump for an octave and envelope filter, if it was a rock/metal set then I'd plump for an octave and envelope filter ;)

     

    @paul_5 has it exactly right here I think. If you were near Gear4Music with £300 and the need fo’ impress with some swift effects purchases, you’d get the EBS Octabass and MXR Bass Envelope Filter for £335.21 which is near enough. Mmmm.

    • Like 1
  9. My first wireless was Lekato WS-70, October 2022 - I returned it because there was a noticeable difference in sound when compared to using a cable. Seemed to work ok though, form factor was good/compact. And I know no-one cares about the bass sound, especially not within a full band setting, but even so...

     

    Next was the Boss WL-20 (pedal board receiver and wireless dongle). Brilliant piece of kit, so easy and convenient to use. Good battery life, being able to charge it via the receiver between sets was ace. What's NOT listed in the manual is: if the battery level drops really low, it won't recharge via the receiver (I was supplying it the required 320mA) - in this case, it needs a charge via the micro-USB. Guitarist in one of my bands also used a WL20 and we found that plugging them in to do the frequency pairing thing was mandatory with two in use... failure to do so meant bass through guitar amp and vice versa!

     

    Sadly for me I kept knocking it out of the jack socket so have since moved on to a Boss WL-60. Less convenient in use (especially at home, compared to the WL20) but has fixed my issues. I got the excellent @Chienmortbb to make me a couple of "just the right length" skinny right-angle to right-angle cables to use with it, and the pack sits on my strap nicely. I don't know how it'll be with battery life (only gigged it once) but I keep a pack of AAs in my gig bag, and the base unit tells me battery level. The scan function is simple enough, but again not as simple as the WL-20.

     

    Yet to see how it co-exists with Timbo’s WL-20 but it plays nicely with the Lekato the guitarist in the other band uses.

     

    For both units, the cabled bypass option is a great feature. I'll never use the "cable tone drop simulation" function but I guess some folks would find that useful.

     

    @ots - if you're interested in a keen price on a WL-20 then drop me a PM!

    • Like 2
  10. Yes! Played nothing but double humbucking basses for years... I gig both of my Fender Dimensions regularly. They're killer basses - great range of sounds from the five-way switch and three band EQ though mostly it's solo neck humbucker, both coils for me. Ergonomics are perfect for me: asymmetrical neck and smaller body are great, balance and weight is good. They come up second-hand on here occasionally.

     

    The BTB in this pic is the first really killer five string I bought (from new) - it's 17+ years old now and has USA Bart humbuckers. Sounds amazing, wonderful to play but heavier than a family car so stays on the wall!

    72AFCC09-BF17-4BFE-8885-90A115041CC8.thumb.jpeg.654c3726e9e086560cdb4dda58b095e5.jpeg

    • Like 2
  11. 1 hour ago, Huge Hands said:

    As a big Beatles fan, I thought the song was good, but I do struggle with that Jeff Lynne production sound they keep on with that makes this and Free As A Bird  sound like a Travelling Wilbury's record.

     

     I think it's the "big wet fish on plastic oil drum" drum sound he seems to love.  Maybe they used Bev Bevan kit samples, but I don't like it.

     

    Only my opinion, of course.....  

    100% agree! And what a fantastic description of one of the single most loathsome sounds in recorded history! 👏🏻👏🏻👏🏻

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