Billydale

ANNI PINUPANNI PINUP I split my signal using a line selector, running the second channel through a Micro Pog, EHX muff, Noise canceller (yes, I know), an Ibanez Analog Delay and Afterneath Earthquaker where I want to get that distorted 'guitar' sound. For the bass signal I run it through a EHX Bass big muff and Boss BC1x compressor. For my 'guitar' sounding channel I'm looking at how I can take that Poggy polyphonic sound away from it. Any ideas on this would be great. I bought a Boss Katana 100W head and use some of the gain for that, but I think I should go back to the drawing boards. I'm also experimenting with using the Afterneath along with the delay pedal for my bass channel, to get a really atmospheric and reverby sound. I've got a little mark bass lll head and considering an Orange OBC212 cab. I've attached my board - bit of a state due to changing things around on it all of the time! Cheers Basspedalboard

Hi, Good to meet you... I've been playing bass for about 14 years and over the past year, I've been playing around with my sound and set up quite a bit. I split my signal using a line selector, running the second channel through a Micro Pog, EHX muff, Noise canceller (yes, I know), an Ibanez Analog Delay and Afterneath Earthquaker where I want to get that distorted 'guitar' sound. For the bass signal I run it through a EHX Bass big muff and Boss BC1x compressor. For my 'guitar' sounding channel I'm looking at how I can take that Poggy polyphonic sound away from it. Any ideas on this would be great. I bought a Boss Katana 100W head and use some of the gain for that, but I think I should go back to the drawing boards. I'm also experimenting with using the Afterneath along with the delay pedal for my bass channel, to get a really atmospheric and reverby sound. I've attached my board - bit of a state due to changing things around on it all of the time! Cheers Basspedalboard