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MoonBassAlpha

⭐Supporting Member⭐
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Everything posted by MoonBassAlpha

  1. If the nut is cut wrong, and the string is "fretting" at the back end rather than the front, the lower frets will appear sharp if the intonation is set correctly at the 12th. More likely the nut is too high though, as Mr Foxen suggested.
  2. What diameter rod did you go for? I went for the 2mm (smallest) as it is what the original markers were. I daresay the 2.5 or 3mm ones show up better, hope the small ones are fit for purpose.
  3. I cant speak for the Cube 20xl but the Cube 30 was very good at all those things you require.
  4. The Luminlay has arrived, 10 days on the button, exactly as stated, from order (posted from Japan) Something to do this weekend now if the weather is rubbish! I will be using a small hand pcb drill. I've already marked and piloted the holes with a 1mm drill. I'll do a couple of test holes first on some scrap before I get to the neck for real.
  5. Get my guitarist to play them, his sweat is toxic to strings.
  6. I think you are on the right lines here, may be some protection cutting in. Using the compressor to knock the peaks off may well be the answer. I've got a little Spirit powered mixer that does just this if it gets overloaded.
  7. Another Sessionette 4x10 here too. Did me for years, only just loud enough though for the band I was in at the time, but not too heavy either. They've got a very quiet preamp and might be good in to a class d power amp. Before that was a Roland Bass Cube 60.Not loud enough for a rock band even with an EV speaker. I ran it together with a Sessionette guitar amp on top and together did the job.
  8. Hey! just noticed this one goes up to 12!!! That's 2 louder!! GLWTS dude.
  9. [quote name='Clarky' timestamp='1377551952' post='2188837'] chewing up the fretboard, for one [/quote] My US Masters fretless has been my main gigging and practicing bass for 6 years, only ever with rounds, and there is no wear that affects the sound at all. There are the fine lines across the board which appeared straight away but have hardly changed in the interim. The board is Pau Ferro (don't know if this is meant to be harder than rosewood) and has a satin sheen similar to the neck itself, so it probably is some sort of treatment. If so, it clearly works!. My defretted Hohner Jack had an untreated rosewood board, and I would never describe that as chewed up either. I think this is a bit of a myth, or certainly overstated, in my experience. Anyone else had the polar opposite?
  10. ok then, no takers. I've ordered some (from Japan) and I'll give it a go myself. I might even take a couple of pictures as I'm doing it if anyone is interested.
  11. Hmm... interesting use of microtones on the bass line.
  12. [quote name='cocco' timestamp='1377376200' post='2186945'] I know it's not a fender, but I'm gonna suggest you have a look at a Peavey T-40 [/quote] not exactly light in weight though?
  13. can't think of a compelling reason not to use regular roundwound strings really.
  14. placing a speaker in a corner is generally reckoned to boost the bass....
  15. [quote name='ash' timestamp='1377339254' post='2186375'] This is my Shergold fretless 6 String Marathon one of only four ever made two of which are now fretted! [/quote] I can't believe there were only 4 made. I had one and Andy Pask from Landscape reviewed one in Musicians Only Mag (I think..) back in the day. I converted mine to long scale and added a Gotoh soapbar humbucker at the bridge. Sold it to guy who came up from Bristol. Quite a sweet sounding bass.
  16. Hi all I've copied this over from repairs and technical as ther is prob more traffic on this forum... I'm looking to get side markers fitted in a spare fretless neck, and also the original dots between the frets removed/covered. The neck was spare as it was a custom order and the markers were in the wrong place (between "frets") Can anyone recommend a luthier who will do the job for me? any help much appreciated. A decent and timely job more important than cost... Cheers Jules
  17. That sounds like the signal processing of a modeling amp. I think they all do it to some extent. The signal processing probably "gates" itself once it decides there is not enough signal to process anymore. I've certainly noticed similar on a Line6 Studio 110, can't remember about the cube, that was too long ago!
  18. 1.4K seems very low for any pickup resistance. Sure it isn't 14K?
  19. Hi all I'm looking to get side markers fitted in a spare fretless neck, and also the original dots between the frets removed/covered. The neck was spare as it was a custom order and the markers were in the wrong place (between "frets") Can anyone recommend a luthier who will do the job for me? any help much appreciated. A decent and timely job more important than cost... Cheers Jules
  20. Allan Holdsworth uses one in this : [url="http://www.youtube.com/watch?v=r7XGCC4FEAA"]http://www.youtube.com/watch?v=r7XGCC4FEAA[/url] Check out the nice Fender V1 too!
  21. one thing to look out for with s/h speakers is "foam rot " on the speaker cone surrounds. It is repairable normally but mitigates the bargain price. A lot of 80's and 90's speakers are subject to this, and JBL Control1's as I found out a couple of years ago.
  22. as long as the 2 parts aren't the cabinet and the speaker...
  23. The humidity was probably higher this weekend than the last few weeks.
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