L4R6O

Agree with BigRedX.. people do change.. I swayed so many times, end up loving what I previously firmly against with.. 1. Relic finish. Yes, it's like cheating. But when I grabed a heavy relic 60's Nash, i just went straight to buy it. It just feels right.. It's not about the look, it just feels so relaxed in my hand.. It's like, you know.. you can't predict love or plan for it. If it comes, even cheating seems righteous.. 2. Fender copies. I've owned half a dozen of Fenders, and all are not good enough. Still against the idea of having jazz bass other than Fender, until I tried an Atelier Z. Now I hunt so many great jazz basses other than Fender. And I no longer call them as 'copies', 'clones', or 'Fender with steroids'. They are just great basses. We don't call Warwicks or Jerzy Drozds as Spector copies right? 3. Alleva Coppolo headstock design. Still against it. But again.. the whole bass (the sound, the craftsmanship, not to mention.. scarcity) makes me (still trying) not to think about its corky design. And this bass is on the top of my must-have-list. 4. Precision bass. Quickly changed after I saw Bobby Vega playing it. Still don't like it, but at least I have to have one. And again, it might not be a Fender. Maybe a Moollon or anything that cheaper than vintage P. But yeah.. Ricks and Lakland's bridge.. they are just wrong..