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frazerjt

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About frazerjt

  • Birthday October 12

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    London

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  1. Yeah I was pleased to see it go, and to a good home too. Have to say again how impressed I am with the Darkglass DG112N. Tried it in a rehearsal finally last week and held up with the drummer and loud guitarist no problem. Best trade I've ever made.
  2. Any neck dive issues? I'm considering getting one to try 5 string (again).
  3. Well...I managed to sell my 4x10, an end of an era and a goodbye to Ampeg. It served me well, but dead excited to try out the 112 and new GK Legacy 500 in the studio / gig. Sounds like the second cab is a good option for larger venues, but since its pretty unlikely I'll be in that scenario any time soon I figured I'll just stick with the one for now. GAS = 0 , me = 1 ....for now.
  4. Haha, weirdly I could hear and feel them too...
  5. Seems the popular vote is the 2 x 112 option. I'm realising the smaller I can go the better. Now to just find a way to shift the ole 4x10...
  6. Thanks Chris, Out of interest what make were your cabs and amp for this set up? When would you use 2 vs 3 112s?
  7. Working my way through them Bill but have a feeling I may remember your post once I get to the end whilst cradling my head in my hands. I have only had one rig for the last 12 years, so the notion to deep dive and overthink where to go next is strong, but I'm guessing it'll mostly be fine wherever I end up (and of course price is going to be the main factor but that wouldn't get the discussion going very far would it!?)
  8. Sweet, I think that's what I was looking to hear as that's how I'd imagine I would use the two.
  9. Hi all, I've read a great discussion on Talkbass (https://www.talkbass.com/threads/2x12-vs-two-1x12-cabs-pros-and-cons.1319015/) weighing up the differences between 2x 112 or a 1x212 and was wondering if anyone on here ran a similar setup for comparison ,( even a 212 and 112). I've recently traded my SVT CL (still going through seperation anxiety) for a GK Legacy 500 and Darkglass 112 cab which I'm really happy with. The aim was to get something I could carry with one hand for small gigs but still have something for louder rehearsals and gigs with my prog band. So, I still have an Ampeg 4x10 for this reason but is looking and feeling too heavy for me to hang on to. The modular cab approach mentioned above sounds appealing to me. I should mention the 112 is as light as a feather.. I honestly don't know how it's possible it's that light. Taking price out of the equation, what are your thoughts on this? cheers
  10. Ampeg Heritage 4x10HLF for sale - Looking for a quick sale! Cabinet is in great condition and has served me well when paired with my SVT CL. Sadly since moving out from my studio due to Covid, I just can't hang on to it anymore. Comes with custom soft cover from Roqsolid Price: £650 £450 £350 Local pick up only or happy to meet with in reasonable distance (30/40min drive). Any Qs let me know! Thanks
  11. This needs no introduction... Ampeg SVT CL Made in the USA. May 1998. Amp is in fantastic condition for age and is in full working order. Recently serviced (Dec 2020) at Jon Dickinson amp repair in Crystal Palace. Comes with power lead and soft cover from Roqsolid Price: £1000 £900 o.n.o. Local pickup only Also for sale is my Ampeg Heritage SVT-4x10 HLF (#3 out of 150) - see separate Ad. Any Qs let me know! Thanks
  12. Thanks @simon88wilson. I'm sticking the ad up now
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