OriginalGBass

I wouldn't no, sorry.

£450 gets you both cabs! just so we're clear 😆

For sale, my Bergantino HT112ER bass Cab with EX112s Extension Speaker. Both 8 ohm cabs at 350w each, 700w at 4ohm combined. Great clear and deep sounding cabs, very capable of handling a low B string. These are the redesigned version, with extended low end for a very big and punchy sounding cabinet for its size. They are not too big in size and quite manoeuvrable. They come complete with original padded covers, also in very good condition. These cabs would have been £700+ each when new, this is a real bargain. You are buying from a trusted seller, any questions please feel free to get in touch. Local Pickup preferred, willing to meet within an hour of Lincoln if required. Bergantino Info. These are our most popular cabinets and are suitable for any style of music. They produce a sonically clear, balanced and natural bass tone with very pleasing girth in the low end, ideal for; pop, rock, funk, jazz, blues, country, soul etc. Being ceramic magnets, the cabinets have a wider/deeper low end and smooth, yet punchy, mid range. One of the deepest sounding 12" cabinets available today. Bergantino HT112ER This is a redesigned version of the classic HT112 with a slightly larger cabinet to help fill out the low end. It retains the clean/smooth detailed highs, from the acclaimed HT tweeter and cross-over, plus tight, smooth mids and plenty of low end that defies it's size. Add an EX112ER or another HT112ER for an amazing full size sounding rig that will fit in the boot of a small car and handle up to 1000W. This is THE classic bass cab! One of the deepest sounding 12" cabinets available today. Excellent for Upright/Acoustic basses too. Model HT112ER specifications: •1 x 12" cast frame woofer w/ 80oz. magnet, vented pole piece •high intelligibility 1" tweeter •power handling - 350 watts rms •custom phase - coherent crossover with tweeter level control •frequency response: 40hz - 18khz •sensitivity: 98.5db • anechoic: 2.83v/1m •2 x 1/4" and 2 x neutrik connectors •impedance: 8 ohms •dimensions: 15 3/4"H x 18-1/2"W x 15"D •40cm x 47cm x 38cm •weight: 39lbs/17.7Kgs •This cab works well with high power amplifiers from 300 - 500w at 8Ω EX112ER specifications: •1 x 12" cast frame woofer w/ 80oz. magnet, vented pole piece •power handling - 350 watts rms •sensitivity: 98.5db • anechoic: 2.83v/1m •frequency response: 40hz - 4khz •2 x 1/4" and 2 x neutrik connectors •impedance: 8 ohms •dimensions: 15 3/4"H x 18-1/2"W x 15"D •40cm x 47cm x 38cm •weight: 36lbs/16.3Kgs •This cab works well with high power amplifiers from 300 - 500w at 8Ω

Immaculate Source Audio One Series Compressor, in original box with original power supply (unused) Manual and USB lead. FREE Tracked and Insured Postage, you are buying from a trusted seller, any questions feel free to DM me. A great versatile compressor pedal, Never left the studio, reviews highly praise it as they should. From Source Audio: The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry’s most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors like the now-discontinued Diamond Optical Compressor to high-end rack units such as the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware. The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the excellent (but discontinued) Diamond Compressor. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, we’re taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well. OPTICAL RACK The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars. Bass Optimization Mode We have made it easy to transform the Atlas into a bass guitar specific compression machine. With the push of a button, you can convert all six of Atlas’ onboard factory presets into low-end responsive compression engines, precisely optimized for the complexities of the bass guitar. The dynamic range and attack characteristics are much different for bass than guitar. Typically, to achieve a smooth compressed bass tone, the attack and release ranges for compressors such as the 1176 FET compressor and LED optical compressors need to be dialed-in accordingly. Likewise, in dual compression modes, the cutoff frequency that separates the lower band from the higher band needs adjustments to accommodate the specific frequency range of bass guitar. It is all part of our mission to make the Atlas Compressor the most flexible and easy-to-use compression workstation on the planet. Detailed Effects Editing with Neuro On the surface, the Atlas features a simple 4-knob interface and a choice of six amazing compressors. However, if you want to take things to take things a bit further, we urge that you connect the Atlas to our Neuro Preset Editing & Browsing tools. The Neuro Mobile App is available for free at the App Store (iOS) and Google Play (Android). The Neuro Desktop Editor is available as a free download for Mac or Windows systems on our Downloads page. Plug in to Neuro and experience compressor editing as it’s done in studios and DAW software, with real-time readouts of your signal’s gain reduction. Fine tune your compression with features simply not found in other effects pedals, controls like Look Ahead compression, Soft Knee control, optional Auto Makeup Gain, Dual Compression signal routing, 8-Band Graphic Equalization, Parametric Equalization, flexible Knob Assignment, and Side Chain High and Low Pass Signal Detection controls. And of course, the Neuro Editor is loaded with easy-to-download Factory Presets and an ever-growing library of Published User Presets created by the Atlas Neuro Community. Now with two-way communication when you use a USB cable to connect your phone with the USB port on your Atlas Compressor!! 6 Types of Compression: The Atlas offers many different styles of compression with sounds inspired by studio rack gear and classic effects pedals. LA2A Optical Compression: A faithful recreation of an electro luminescent panel combined with a photo resistor and the resulting warm and smooth compression that has been the standard in studios since the 1950s. 1176 Feedback FET Compression: Based on the solid state FET compressor known for its full body and super-fast attack. LED Optical Compressor: Inspired by pedals that work on a similar concept as the LA2A, but swap the electro luminescent panel for an LED and a quicker, dirtier response. Dual Compressors: Use Atlas’ dual compressors in a variety of ways: in Series, Parallel, or Band Split mode, which provides a separate set of controls for both high and low frequencies. Studio Level Compression Controls: Access all the essential compression parameters including Feedback, Ratio, Attack, Release, Makeup Gain, Mix, and Tone, either with the pedal’s knobs or the Neuro Editor. Special Bass Mode: With the push of a button, quickly convert Atlas to a special Bass Mode with compressor engines specifically optimized for bass. Auto Makeup Gain: Dial in sounds quickly. Atlas automatically increases or decreases the Makeup Gain depending on the amount of compression. Neuro Editor Features Growing Library of Published Presets: Quickly test and download sounds from the ever-expanding collection of published User Presets created by Source Audio and the rest of the Atlas Compressor/Neuro Editor Community. Deep Effects Editing Capabilities: Use the Neuro Desktop Editor (free download for Mac and Windows) or the Neuro Mobile App (free for iOS and Android) to create, store, and share highly customized filter effects. Dual Compressor: Use Atlas’ dual compressors in a variety of ways: in Series, Parallel, or Band Split mode, which provides a separate set of controls for both high and low frequencies. Dan Armstrong Orange Squeezer: A gritty compression inspired by the vintage 1970s unit that graced classic tracks like Steely Dan’s “Peg” and Dire Straits’ “Sultans of Swing.” Available in the Neuro Editor. Look Ahead Compression: A classic studio trick. When engaged, Look Ahead creates an imperceptible latency in the signal that “looks into the future” and allows for an extra quick and smooth attack that without any additional distortion or artifacts. Soft Knee:Adjusts the transition curve of the Threshold point. A sharper knee creates a snappy compression and a soft knee creates a more natural sounding compression. Side Chain Compression: Use the signal going to Input 2 to trigger the compression applied to the signal going into Input 1. Advanced Equalization: Use the 3-band parametric or 8-band graphic equalizers to tweak the tonal characteristics of your compression. USB Connection – Use the pedal’s mini USB port to connect Atlas to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware. USB to Mobile App Connectivity - Connect the Mobile App to your Atlas Compressor via the USB port on the top of the pedal and enjoy two-way communication between the pedal and your Neuro Mobile App. This means you can see all of your Atlas preset settings on the App. in real time. (Lightening to mini Type B USB cable for iPhone) (Type-C to mini Type B USB cable for Android). The Atlas Compressor responds to MIDI Program Change (PC) and Continuous Controller (CC) messages via its mini USB port. The USB port handles communication between the Atlas and digital audio workstations (DAW) on Mac and Windows machines as well as external MIDI controllers with USB host support (we recommend the DMC.micro from Disaster Area Designs) Preset Saving – Save up to 128 effect presets. MIDI Mapping – Use the Neuro Desktop Editor to easily map MIDI Continuous Controller (CC) messages to a comprehensive list of parameters. Preset Recall - Use MIDI CC numbers 103(Bypassed) & 104(Engaged) with a CC value of the given preset slot to recall any of the Atlas's 128 MIDI accessible presets. "Preset Increment" and "Preset Decrement" are two parameters that can be mapped to any unassigned MIDI CC# using the Device MIDI Map in the Neuro Desktop Editor. The Neuro Hub - Connect the Atlas to the Neuro Hub and use MIDI CC messages to control parameters or recall presets. Additionally, the Atlas can be added to Hub Scenes, is visible through the Hub, and can be controlled by PC messages, giving you the full access to 128 preset slots. Specifications Includes 9v DC power supply (300mA / Negative Tip) Includes 1/8” to 1/4” cable for Neuro Mobile App connection. Power Consumption — 165mA USB port — Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software. Brushed anodized aluminum housing. Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs) Kind Regards Greg

Thanks Andy!

Beautiful preamp for any instrument, veritable swiss army knife of uses, analogue sound replicating the pro recording desks of the 60s and 70s. Perfect for live, studio, iems etc. Save on a new one and get free tracked postage. You're buying from a 100% trusted BC seller. Any questions please feel free to get in touch. Kind regards Greg From Tech 21 Website: Q\STRIP FEATURES • HPF cuts unmusical rumble associated with many instruments when going direct. • LPF rolls off undesirable frequencies. Can also be used as a speaker simulator. When used in conjunction with the studio-grade EQ section, you can recreate different speaker cabinet curves so you can go direct with your favorite distortion and effects pedals. • Very high impedance accommodates piezos and handles low impedance sources equally well. • XLR is capable to drive power amps and has a -20dB pad to accommodate mic level inputs on mixers and pre-amps. • 1/4-inch output has switchable +10dB boost on tap, which is useful to drive power amps or push tube amps into overdrive. Three modes of operation: 1. Phantom power via the XLR Output 2. Standard 9V alkaline battery (not included) 3. Optional power supply (Tech 21 Model #DC9) in Smooth-action custom actuator, All-metal housing

I've played through this very amp head, and can honestly say I wasblown away at the depth of tone, tubelike heft and punch in an incredibly light form factor, very impressive. Ed is a great guy too, trusted seller.

The very last of the superb 1x15's made by Mark Vanderkley himself. Ordered via Bass Direct less than 4 months ago. I'm sure most on here are well aware of the quality of these cabinets, and the sound produced. A monster of a cab able to take much more power than advertised, easily keeps up with the loudest of band environments, faithful reproduction of your tone with balanced frequency response across the entire range. Used for a UK tour last month only. Grab a bargain with £200 off what I paid for it a very short while ago, priced to sell. You won't be able to buy another one of these in this condition ever again! Happy to meet up in Newark just off the A1 if that helps, or will post tracked & Insured for an extra £20 contribution. Any questions feel free message me. Not looking for trades thank you. Spec from Vanderkley: Exquisitely designed high end bass amplification from Europe with the modern bass player in mind. Hand made cabs featuring custom designed drivers and cross-overs. The NeoLite cabinets are loaded with the latest generation custom-made neodymium drivers. The drivers are absolute state-of-the-art; constructed from a cast aluminium frame, neodymium magnet assembly, unique coil and magnet cooling design, waterproof cone material, linear frequency response, high power- and sensitivity-ratings. The tweeters feature a custom-made filter with tweeter protection circuit and a high frequency attenuator on the back panel. Here you will also find two Neutrik® speakon/6.3mm jack-combo connectors linked parallel. These "high efficiency" cabinets are sealed airtight from the inside so the air will only enter or leave the cab through the tuned port-tube mounted on either the front or back or both. Each speaker cabinet is hand-made by Marc Vanderkley, using strong but lightweight void free birch and poplar plywood, dowel joint construction, internal bracing and is covered with high quality black carpet which will protect your cabinet for years to come. This is an ideal cabinet for the bass player looking for a balanced sound, with clear mid range and punchy, deep lows and clear, natural high end. A very light cabinet that works for almost any type of bass, including upright and any style of music. Configuration: 1 x 15" + 6" custom designed Neodymium drivers Power: 600 Watts AES Impedance: 4 Ohms Freq. response: 39 Hz – 10 kHz Sensitivity: 99 dB 1W @ 1m Size: H x W x D, 59 x 54x 41cm Weight: 23 Kg / 50 lbs Added a little video clip from the tour is included, not great sound as its from a camera, but bass is well represented. 292820841_120030123934075_5003774238962097046_n.mp4

BUY NOW FOR £400 POSTED. Trades for Effectrode LA1A Levelling Amplifier Used but in immaculate condition, recent replacement of power tubes with some Russian NOS efforts, and a couple of nice preamp tubes from Hot Rox, all sounding terrific and biased perfectly on the amp, a massive improvement over the stock EHX varieties. Comes with Peli style hard case, fits in really snug, zero movement with all the padding, and is waterproof. A mains IEC cable will also be provided. I may just keep it for recording yet, on the fence so testing the water. Price includes Insured and Tracked courier, although you can meet within 25 miles of Lincoln if preferred. The case is virtually bomb proof and I have no qualms about sending it anywhere by post. If you have any questions please feel free to message me. kind regards Greg Specs from Ampeg: The legendary tone and portability of the all-tube Ampeg Portaflex amplifiers is faithfully reproduced in the PF-20T. This all-tube Portaflex head provides a harmonically rich and studio-worthy 20 watts of pure Ampeg tone to satisfy the most discerning bass player. Featuring simple user-adjustable bias adjustment for easy tube replacement and pre-amp and transformer balanced direct outs for maximum versatility. Plus, no speaker load is required for silent recording or even use as a dedicated tube DI. RMS power output: 20W @ 4 or 8 ohms Preamp: All-tube [2] x 12AX7 Power amp: All-tube [2] x 6V6 Tone controls: Bass, Mid, Treble Input gain control Preamp balanced line out Pre/Post EQ Ground lift Transformer balanced line out Ground lift User adjustable bias control Dimensions (H x W x D inches): 7.3 x 13.0 x 10.4 in 185 x 330 x 264 mm Weight: 15.2 lb / 6.9 kg

Now sold thanks

For sale is my Shiftline Olympic MK2 tube bass preamp pedal. This is the 2017 version, not the MK3 which is the latest model. It does however have all the other functions, as you can see in the images and specs below and the same great tone. The pedal comes with the original 12v power supply. These are great sounding tube pre's with great warmth and dimension, made in Russia and built to last. With the current state of affairs, you are unlikely to see new ones coming into the country for quite some time. Priced to sell, includes tracked and insured postage for peace of mind. Any questions please get in touch. Kind regards Greg Specs: The Olympic MKII is a 12AX7-driven, single-channel bass guitar preamplifier, designed to emulate the sound of an Alembic F-2B preamp, whose creators were inspired by a classic Fender Dual Showman (Twin) amp! Featuring a balanced XLR output, FX loop, phones output and auxiliary input, the Olympic MKII is sure to become a Swiss Army Knife for any bass guitar player. Features Classic tube circuit with high anode voltage BRIGHT mode FX loop for connecting external effects 3 (three) outputs: "OUT" – for connecting to a bass guitar power amplifier (or bass guitar head/combo w/ power amp input via "Return", "Line In" or "Power Amp In" jack), "BALANCED OUT" – for connecting to a recording interface or mixing desk, "PHONES" – for connecting headphones GROUND LIFT switch for eliminating ground loop hum/noise Specifications Input impedance: 1 MOhm Output impedance: 10 kOhms Inputs/Outputs: bass guitar input (IN), FX loop for connecting effects pedals (SEND & RETURN), output to a power amplifier (OUT), recording output for connecting to a mixing console or audio interface (RECORD OUT), phones jack (PHONES), auxiliary input (AUX) Tube: 1 x Tung-Sol 12AX7 – low-noise and low-microphonic Power requirements: 12 Volts AC ~1 A (1000 mA). Can be powered by a 12 Volt AC/AC adapter (220V adapter included) Dimensions (W x D x H, w/o knobs): 120 x 93 x 34 mm (4.7 x 3.7 x 1.3") Weight: 600 grams / 1.32 lbs

Used for recording only, great compressor, actually widely regarded as one of the best in pedal format, very versatile little unit, have a read here on Basschat for other user opinions! No longer shipping to the UK, only available through Japanese or US vendors. Any questions please feel free to get in touch. Free UK Postage, tracked and signed for. Read stellar reviews here on the website: https://becosfx.com/product/compiq-pro-stella-compressor-pedal-for-guitar-bass/ STUDIO-LEVEL AUDIO PERFORMANCE IN A PEDAL FORMAT The CompIQ STELLA Pro Compressor is an all-analog externally powered or battery-operated compressor pedal designed for guitar and bass and hand-built around the top-class 4320 THAT Analog Engine®. The amount of control it offers is staggering and probably never before seen in a compression pedal, especially of this size. We didn’t leave out anything that helps to bring out a truly clean, accurate, and transparent compression. At the heart of processing, a true RMS-level detector measures the input signal and applies accurate feed-forward compression through a transparent sounding, high-performance Blackmer® VCA. Key features True analog bypass Blackmer® VCA analog compressor Optional DITOS board for transformer-coupled balanced output (10KΩ impedance) True RMS-level detector Ratio 1:1 – inf:1 (limiter) Threshold -40dBu to +10dBu Make-up Gain -6dB to +20dB X-EQ with selectable frequency pivot 330Hz for bass or 1KHz for guitar Soft/Hard compression knee Manual timing: attack 0.12 to 12 ms/dB of gain reduction, release 1.2 to 120 ms/dB of gain reduction Fast/Slower dynamic auto attack and release timing with hold for peaks over the threshold Normal/Low/Deep side-chain filter Dry/Wet mix Tape Saturation on the dry line with Level compensation and Low/High-frequency cut filters (jumper selectable) 8-LEDs gain reduction meter Hi-quality FET audio ICs, low tolerance parts, Panasonic & Kemet audio capacitors Genuine Hammond black-powdered aluminum enclosure Runs on standard 9V internal battery or 9-18 V DC external power supply (not included), center negative, 12mm long barrel plug Kind regards Greg

Boutique preamp DI pedal from Trickfish Amplification. The very same preamp as used in their acclaimed Bull Head amps, designed by Mike Pope. All the Eqing you'll ever need, with switchable Low mid and High Mid frequency points. Pre and Post EQ on the output, which is either a studio grade isolated DI XLR, or Jack out (or both), with separate tuner out. £325.00 on Bass Direct website currently, grab a bargain and get free postage. Spec: The Minnow is a high quality, low noise bass preamp DI pedal equipped with our Bullhead EQ section. This single channel Bullhead preamp features shelving EQ’s for the BASS and TREBLE controls and variable band pass EQ’s for the LO MID and HI MID. A selectable mid frequency for both LO MID and HI MID controls provide complete control over the midrange. We’ve also added HI SHIFT to the treble frequency to further tune the cut/boost capability of the treble control. In addition, the Minnow preamp includes a tuner out for silent tuning and a balanced XLR output for use as a DI, great for both live and studio use. Pre-Amp: Low noise solid state Instrument Input: ¼’ Phone with rotary gain control Input Level Indicator: Signal level and Clip LEDs (green/red) EQ: 4 Band (12dB Boost/Cut) with switchable Mid Shelving Bass (80Hz) and Treble (4KHz / 8KHz selectable) Low-Mid and Hi–Mid -Variable Gain, Band Pass EQ with selectable frequency/bandwidth options Master Volume: Rotary Control EQ On/Off Footswitch Mute Footswitch Tuner Out: ¼” Phone jack Amp Out: ¼” Phone jack Direct Out: 600 Ohm Balanced XLR, Pre/Post, and Ground Lift Power Supply (Not Included): Switch-Mode Power Supply, Output 12V DC (150mA minimum) center negative power Power Consumption: 150mA Chassis: Steel Removable Rubber Feet: Adhesive backed Size: (H x W x D in.) 6.05 x 4.86 x 1.74 (H x W x D cm) 15.38 x 12.34 x 4.41 Weight: 1.93 lbs / .88 kg Any questions, drop me a message. Trusted FB seller. Regards Greg

Please contact me asap Phil.

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