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SubsonicSimpleton

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Posts posted by SubsonicSimpleton

  1. Learning to play a musical instrument is a marathon, not a sprint - if you are putting in the work it is often difficult to see the improvement because it happens gradually, so as your skill increases also so does your awareness of your mistakes.

     

    Be kind to yourself, and keep turning up to put the work in and you will get there.

  2. you could use a loop of gut, dyneema or steel rope through each of the holes in the tailpiece to allow the ball ends to be nearer the bridge.

     

    If the strings in question were spiros I'd be tempted to just have at it, but if this the set of eudoxa you have advertised for sale, I wouldn't be quite so confident that the windings/core won't separate or damage each other (you'd need to look very carefully at exactly where the windings end under the silks to figure out whether you will be winding any of the outer winding onto the pegs or simply tensioning the core using the peg while the winding gets hungup by friction on the nut).

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  3. Maybe whoever created the backing tracks has published them in such a way that the AI is detecting an exact match between the original backing track and your video but not taking into account the specific licensing conditions of the backing track, and treating it as if it was an original recording with normal copyright considerations.

     

    I remember youtubers being hit with copyright strikes for using their own original music a while back - the algorithm was matching the youtube videos with audio files that they were selling through digital platforms and failing recognise that they owned the copyright.

     

     

  4. A while back I went to collect a gumtree purchase, and the seller had hooked up a mac mini to a mahoosive flat screen tv in the front room along with a set of big KRKs and audio I/F - he seemed pretty happy with the setup. I would expect that the crunch point is likely to be tasks that require using the keyboard/mouse with any intensity - can you do a dry run first tucking your imac behind those nesting tables, and running a hdmi cable out to the tv to give you a flavour of what the ergonomics are likely to be in the long term?

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  5. If the OP is happy using linux/Ardour, why not just buy a new SSD for the laptop(quick google shows £10-£15 for a new 120GB SSD drive) which will likely have better sustained write speed than what's in there already, and make a fresh install of whatever distro he is comfortable using. According to Sound Devices calculation tool, 15 tracks @24bit 48Khz  requires less than 8Gb per hour

    https://www.sounddevices.com/audio-recording-calculator/

     

    Recording audio really isn't particularly CPU intensive if you are simply streaming it to disk - simply set buffer sizes to maximum and turn off monitoring in the DAW.

     

    When everything is recorded, no faffing necessary, just copy it across to the big PC - just make one custom template in Ardour with all your tracks named, and audio routing assigned and then use it for every recording.

     

    Before going this route I would hook up the XR18 to the main PC and make sure you can see all the outputs (Behringer don't publish a mac driver so this should also work fine on any linux distro that plays nice with usb class compliant audio interfaces).

     

     

     

     

     

  6. Musical chairs might be worth a look, their demographic is serious face classical peeps including pro orchestral jobs worldwide.

     

     

  7. 6 hours ago, Lozz196 said:

    More than a large slice of paranoia over dropping & losing them. I`m fairly sure I`d manage to look after the cheapies well enough but that well known law would mean I`d drop & lose the ACS ones. 

    Just leave them in all evening and only take them out once you have left the venue - my personal experience is that this isn't a problem even if you want to have a chat at the bar and there is a quieter period between bands.

     

    Once they warm up they tend to form a pretty good seal and they won't randomly fall out, if you are in the habit of popping them in/out every few minutes at rehearsal, try leaving them in the entire time and see what happens.

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  8. On 26/08/2023 at 12:54, Lozz196 said:

    Last night my band played and the volume in the venue was such that my ears still feel blocked today. 
     

    I have earplugs for playing  with my deafening classic rock band which doesn’t gig (ACS ones) but from now on I’m taking a cheap pair to any gig I attend, whether I’m playing or not.
     

    It was only a small venue so I wouldn’t have thought it would be so loud - lesson learned, hopefully in time.

    Why take cheap ones if you have proper custom molded ACS ones?

     

    Hearing varies a lot from one person to another so YMMV, I only have the strongest filters that I could get at the time (26db IIRC), but don't find that they compromise the enjoyment of gigs that are not crazy loud - I'm pretty sure you could get a less severe filter than the ones you use in your band if you felt you needed less attenuation. I've used various foam and silicon chrismas tree plugs in the past, and would only go there if I'd forgotten my ACS.

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  9. When I bought my first DB from thomann, it arrived strapped to a pallet on the back of a curtainside HGV. Can't comment on how G4M handle this, but I would imagine that it needs to come on a pallet rather than loose in the back of a white van.

  10. 1 hour ago, artisan said:

    Always regretted selling the other one.

     

     

    I regret not being able to raise the funds to buy it off you when it was for sale - you'll have to give us a report on how the new one compares, and a string run down(assuming you don't have golden slaps on it)

  11. Write them out with pencil/paper - the more detail the better.

     

    If you want to remember something, the more cognitive connections and associations the better - deconstructing a song by counting out the bars, writing out the structure etc uses different bits of the brain to just listening passively, or playing along with a recording.

     

    Once you have the structures down you can fill in the details and sort out the tricky bits - a band can still sound good with simplified parts as long as the structures are all solid, so you can develope the detail over time.

     

     

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  12. Are you using a dedicated mixing app on the ipad?

     

    Sounds to me like you need a bit more control over how the audio output signals from the apps you are using are mixed together to get a better balance - maybe check out some of the instructional videos on audiobus and aum to see if they might work for you.

     

    edit: don't forget to investigate compatibility with the apps you want to use before purchasing.

  13. My first proper bass amplifier was the bass machine combo version of this cab. After moving it up three flights of stairs to the rehearsal room, it stayed there till the band split and was promptly sold, so I wouldn't have to carry it back down the stairs again.

     

    Nice to see that this has found someone who will love it.

    • Like 2
  14. I've a couple of older Yamaha synth/drum machines with midi, and never had a problem getting them to transmit - IIRC they default to transmit on channel 1, but the transmit/receive settings are fairly straightforward to find.

     

    A quick search pulled up the manual - you can find the instructions on page 190

    https://europe.yamaha.com/files/download/other_assets/4/320974/QS300E1.pdf

     

    Worth checking that you have configured the driver and midi options within cakewalk properly - I've never used cakewalk, but in most DAWs you need to set up the midi IO somewhere in the audio preferences menu.

     

    If you can record midi notes into a midi track then the IO is functioning - if you still have difficulty playing virtual instruments, the issue might lie within individual track routing options or the virtual instrument settings.

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