Dood

And who could forget the wonderful Ishibashi! https://intl.ishibashi.co.jp/search?q=Fender&options[prefix]=last&filter.p.tag=electricbasses&sort_by=relevance 

I sourced my PB70US from them directly many a year ago. Another silly moment where I decided to sell it.. DOH!!!! 

On 02/04/2025 at 00:19, Jonesy said:

 

This one doesn't have details on all of the MIJ models (though I could have sworn it had most models at some point), but it does have specs for the reissue series P's and a few J's:

 

https://japanfender.wordpress.com/

I think that is the one yes, but I agree, I feel sure that it had more details too. I also had downlaods of all the MIJ catalogues, but I fear they may have been lost at some point  - Yes, I am that much of a nerd, I had piles of catalogues! Trace Elliot, Marshall, Ibanez, Rotosound, Yamaha, all sorts from the 80's onwards! 

https://japanfender.wordpress.com/products/about/precision/

2 hours ago, agedhorse said:

And this is WHY a full set of specs is so helpful. There are very few products in the bass/guitar world that provide this necessary information, which requires an unhealthy amount of guessing to arrive at a solution.  Then again, it's also necessary to understand the specs.

Yeeeeeeeees, it does make it tough to do detailed high quality video reviews for public consumption when you have to chase down technical details, lol. I’ve been lucky with most companies. One brand’s technical design team let me in to some inside information once and the marketing team may not have been so happy with that. But, I agree with you, this information helps musicians be informed and in that case I liked the product even more because I could trust the specifications.

I’d like to see brands adopting at least a standard for measuring, say, true output, power handling and, I chuckle when I think about ole car magazines advertising ICE in thousands of what’s PMPO 😁

13 minutes ago, franzbassist said:

Good album title 😁

You might be on to something! 

Sale Pending To AllAboutTheBass

3 hours ago, Cornwall Steve said:

Hi

Is this Cirrus one of the Indonesian ones, or Made in PRC?

Also, can you tell me how well she slaps please

Thanks

Steve

Ahhh here’s a man in the know!! Yes it’s one of the good ones from Indonesia! I specifically went searching for them and ended up with two!!

Oh she slaps alright! Dip the mids, boost the lows and a nice set of roundwounds, there’s a good kick drum punch! Brilliant low B.

24 minutes ago, TimR said:

 

Booker T and the MGs had a great way of writing. They'd get into the studio and jam with the tape running. They'd record everything, the tunes would be very busy with lots of playing. At the end they'd listen back and strip everything back to bare bones and add back oy the bits that enhanced the tune.

 

Have a look on YouTube for acoustic  versions of Born in the USA. 

 

Often I will come across this with our guitarist "we don't have keys", "we are a rock band", "we only have one guitarist", "there's a brass/strings section."

 

Then I'll find a live version of the song with stripped down instrumentation. "That's great, let's do that version..." 

 

No, we do the original version everyone else knows, but we arrange the instruments to suit our band.

 

If it can be played on a piano or acoustic guitar it can be played by any band. 

 

 

I do enjoy the challenge of making songs work without the full compliment of instruments on stage. I play (on bass) the keyboard parts and bass line for songs like Summer Of 69 (yeah, yeah, I know lol) when we’re just a 3 piece. 
 

In another band, on the subject of Mssr Adams, in a moment of pure show boating, in Run To You, my singer would lean over my shoulder to play the bass line on my bass whilst I played the harmony to the guitar solo up the dusty end. Guitarist would huddle up to for maximum on stage cheese . Sounded great and was fun to do.

16 hours ago, Woodinblack said:

Right - all the email problems should now be sorted. If you have any new email issues, and by new, I mean email issues since 23:00 on 1st April, then let me know.

You’re a star! I was just heading over to the thread to say that I’ve started receiving messages again out of the blue 😁 and have just read your response! Good work  Thank you! 

Pending sale to AllAboutTheBass, thank you!

7 minutes ago, Lozz196 said:

Good points @Dood, I was always a high-action heavy-plectrum heavy-hitter, which may account for wear & tear on my hands, but over the last few years have changed these, now preferring a low action, lighter gauge plec and employing a softer touch. I`ve found that these have made playing much more enjoyable for me, as well as helping me master songs that with my old caveman techniques would probably have been beyond me.

Not entirely related, I went to a Chiropractor many years ago for excrutiating back pain. After looking at me, poking and prodding, she told me I've played heavy guitar for many years. Excited that she may have come to those conclusions based on me trying to look like a musician (ha ha) she said, no, it's because my back is crooked, my neck is tight, my left shoulder goes down, my left hip points upwards and this causes one leg to be shorter than the other.  😂🤣

Years of bad posture in this case took it's toll, I've wear and tear on my vertebra. I do have to check myself when performing, not to pull so many rock-star poses so I don't have to pay the piper too much later!!

On 31/03/2025 at 22:08, Beedster said:

 

I think it's only crude because it's a reference to the character in the movie and the 11 being louder than 10 thing. You might be looking at this a little too hard  

Mebbe the bit where Derek is trying to get through airport security with a certain vegetable secreted away in his trousers wrapped in foil lol.. 

Just now, Dood said:

 

 

My suggestion is based on this post and, related to techniques I teach in bass lessons. New students sometimes weld their thumb in to the wood work, or poor left hand positioning; understandably instruments can sometimes need a service and a set up too. Not suggesting that those suffering from thumb problems are doing any of the above, but often taking these things in to consideration can, as Lozz has pointed out, be a great help. 

 

There are many elements to look at when playing and one that I often pickup on when watching students is the tendency to lock up or apply uneven/more pressure when playing faster or more dextrous passages leading to fatigue. (Sometimes overlooked whilst in the throws of an adrenaline filled performance) - Couple that with say a high action / neck relief and 'broom handling' position has definitely caused issues. Much like those who like to "rest" their picking hand thumb on the top of a pickup, but, in the excitement of a performance let the weight of their entire forearm bear down on the thumb joint. FLoating thumb technique can be of assistance here for example. 

 

Obviously I'm not a doctor but I hope maybe there's a little food for thought that might just help? I hope so, not being able to play without discomfort is the worst and I have my own battles in that department.  

Completely forgot to ask about bass set up, neck profile size, hand position and at what height the bass is set at. Ideally, some playing videos may be of assistance. 

There's also the Alexander Technique for musicians that may help? 

55 minutes ago, Lozz196 said:

I`ve not got any suggestions but will keep an eye on this thread as am in the same position - not had the injections yet but I fear they are looming. I`ve spent pretty much the last year adapting my playing technique to the point where I hardly touch the neck with my thumb now and that has really helped me, it may look a tad daft playing with thumb fully extended but I don`t care about that. I have looked at support-thingys on Amazon but none of the reviews mention musicians/playing guitars so not bought one yet, again I think this purchase is looming.

My suggestion is based on this post and, related to techniques I teach in bass lessons. New students sometimes weld their thumb in to the wood work, or poor left hand positioning; understandably instruments can sometimes need a service and a set up too. Not suggesting that those suffering from thumb problems are doing any of the above, but often taking these things in to consideration can, as Lozz has pointed out, be a great help. 

There are many elements to look at when playing and one that I often pickup on when watching students is the tendency to lock up or apply uneven/more pressure when playing faster or more dextrous passages leading to fatigue. (Sometimes overlooked whilst in the throws of an adrenaline filled performance) - Couple that with say a high action / neck relief and 'broom handling' position has definitely caused issues. Much like those who like to "rest" their picking hand thumb on the top of a pickup, but, in the excitement of a performance let the weight of their entire forearm bear down on the thumb joint. FLoating thumb technique can be of assistance here for example. 

Obviously I'm not a doctor but I hope maybe there's a little food for thought that might just help? I hope so, not being able to play without discomfort is the worst and I have my own battles in that department.  

I think I’ve joined the issue here too, last message notification by email was March 6th. I’ve had a few pms in the meantime and no mails (that I’d usually get). Appreciate there appears to be an issue so will await further updates, just letting you know.

45 minutes ago, itu said:

What are the main changes between families and series? Original, Progress, series I, IV etc.?

Progress 😁

I’ll get my coat then shall I? 😂

9 minutes ago, ziggydolphinboy said:

where are u bassed guv?

 

Ten mins south of Norwich  

On 26/03/2025 at 10:51, jay-syncro said:

 

There's a 57 RI Precision and a more recent Traditional 50's P both available currently on BC that have the smaller tuners fitted, so not entirely sure what spec warrants the full sized traditional tuners?

The model specifications were based on a price point and that would typically be in the model name.

For example, a PB70US-70 precision bass is a 70’s style model, with “US” pickups and was originally sold for 70,000 Yen. These models were known as non-export models as these and the more expensive models were in direct competition with USA models and Fender aimed to keep those in Japan only. The next model up, would have been something like PB70US-86 (ish) and you’d have additional appointments such as Ash bodies and lacquer finishes for example.

 The lower spec models would have basswood bodies, generic pickups and the smaller tuning keys. I forgot the exact model name as im typing on my phone, but PB70-53 sounds about right - note no “US” in the name.

If I can find it, there used to be a website with every model described in detail years ago, but I haven’t seen it for a while.

I have two of these basses, but, as it's looking like I won't be needing both now, I'm definitely keeping one for myself (for teaching) at least for now and the other (arguably the better sounding one) can find a new home so I can afford to eat. 

This is the Bubinga top model. 

The bass comes with new and zingy D'Addario Pro Steels - Super Long to fit the "through-body" stringing at the bridge, though you can top mount too with no issues! Also included are Dunlop Dual strap buttons attached. Around the back, you'll notice an additional switch. A previous owner has professionally installed an EQ bypass (Think Active / Passive switch) should you wish to leave the EQ out of circuit. I've inspected the electronics and the bypass is very tidy.

Fretwork is excellent and the action is low, in fact, you'll probably want to lift it a little, but it's nice to know it doesn't start high, hiding a multitude of sins! 

Active pickups with radiused tops, three band active EQ, 35" scale, 16mm string spacing, neck-thru construction.

Tonally there's much to enjoy. The B string is extraordinary. No really, it is. The combination of the right bass, electronics and string manufacturer can elevate those otherwise woolly tones and this BXP carries weight and definition in that department. 

I'm going to regret selling, it's a little peach.

Price fixed for collection. I'm pretty sure I don't have a spare box. You're geting a stupid bargain anyway, so pop in!

Quote

The new Cirrus 5 BXP five-string bass guitar delivers great low end at an even lower price. We've taken our most sought after professional basses with exotic woods and hi-tech features and made them more affordable just for you. The Cirrus 5 BXP has a neck-through-body design and construction that delivers unmatched tone, sustain and string clarity more than any bass in its class. With two custom VFL™ active pickups and a 3-band active EQ, the Cirrus BXP basses allow you full control over volume and tonality. To top it off, we've added gold hardware and a string-through-finger style bridge. Available in three awesome finishes --Bubinga Top Natural, Mahogany Top Natural and Quilt Top Tiger Eye.

Features
    ▪     Available in Mahogany Top Natural, Bubinga Top Natural, and Quilt Top Tiger Eye
    ▪     35 inch scale
    ▪     Neck-through-body
    ▪     2 VFL™ active pickups
    ▪     Active 3-band EQ with +/- 10 dB boost/cut
    ▪     Black hardware
    ▪     String-through-finger style bridge
    ▪     Pau Ferro fretboard
    ▪     Dual expanding truss rod
    ▪     Polyester clear on painted models
    ▪     Case not included

Specifications
Color
Bubinga Top Natural

Please please please follow the channel and give the review a like and a happy comment

Actually, as this is an older video, I may go back and remix the audio for a funky bass short at some point, it's such a great sounding bass. 

1 hour ago, snorkie635 said:

Chuck us a link Dan, please.

Here's the Progress Series IV 5 string review:

https://www.bassgearmag.com/bassic-review-overwater-progress-series-iv-standard-5-string-bass/

This review was before I updated my studio, I'll see if I can do more Overwaters in the future! 

Overwater are absolutely top-tier. I'm just waiting for one of my reviews to go live of a very special custom Overwater that is probably unmatched in all the reviews I've ever done. Even the previous review video of the Progress IV Standard made pretty much eveything else reviewed feel like a Friday afternoon job. 

@AndyTravis, thank you. It’s all too easy to say “it means a lot”, but genuinely, I really appreciate feedback, of course positive on my videos. 
I do everything myself (except for edits to my final renders by the digital guy); I’m still learning how to create and edit videos, even if I have spent the last 30+ years obsessing over everything bass and technology. Obsessing really wouldn’t be an overstatement. I have issues 🤣 

I just want to create the kind of videos I want to see. I’m far from perfect in delivery, but I’m getting there.

Many a time I’ve nearly given up on it as there’s a real apathy or lack of engagement - maybe that’s my fault, but it’s really hard to capture enough people’s interest. I’m not pretty and showing a bit of flesh isn’t an option, which for many seems to be the way to go in the absence of any real quality material, so losing a battle from the off when people would rather “engage” with something that requires less investment. 

So, I’d really appreciate if anyone watching my videos can at least give them a like to show your appreciation. Better still a supportive comment. Following my socials and the magazine channel would really give me a boost.

Http://www.YouTube.com/BassGearMag

and http://www.instagram.com/danveallbassist

I’m also on Facebook, my page is DanVeallBassist or the OG profile /DoodOnBass is still alive. 

4 hours ago, flippyfloop said:

Very interested. Do you know the weight please?

Right, on the kitchen scales, 4020g, quite reasonable I think! My ‘76P is a boat anchor in comparison!

3 hours ago, flippyfloop said:

Very interested. Do you know the weight please?

I’ll check, but it’s probably the lightest bass I own! BRB