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la bam

⭐Supporting Member⭐
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Posts posted by la bam

  1. On 26/03/2024 at 08:20, MichaelDean said:

    I once tried to sell some flats on Facebook that had only been lightly used. Got some serious abuse from people telling me I was disgusting for selling used strings! There's all sorts out there...

     

    I had that too!! 

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    People saying it was low. Desperate and bottom of the barrel. I'd only taken them off basses I'd bought and replaced with my own. 

  2. Yeh, to clarify the meaning.... I had seen a supposed stingray for sale. Turns out it was a bitsa fake. Luckily I'd sussed it out before buying and the seller changed his listing. 

     

    As suspected it was a cheap sub series with all the us logo and made in San Louis obispo california US stamps (or whatever it is) to try and fool people. 

  3. 1 hour ago, Lozz196 said:

    I’ve played Precisions for years but due to back issues had to go short scale last year. I decided on the JMJ Mustang due to it being Fender and having a Precision width neck (I had briefly tried one before and liked it). To my surprise I think they suit me better overall than the Precisions. Of course the lighter weight and shorter scale help physically but I find it easier to get the sound I want from them too, plus the looser string tension means easier to play. And easier to cart about as they fit in a guitar gig-bag. 

     

    Yeh, it's weird how we think we have the one we want then try to make it fit, when unbeknown to us there's a better alternative out there. 

     

    When I look back with the precisions I've used every amp and cab combination, pedals, fx, strings and it turns out it was the bass all along. To put into context I've never ever ever been able to make a precision sound like they do in any demo video, but spend a fortune trying to! I don't know why, but I just can't make any precision sound like a precision :)

     

  4. Just now, diskwave said:

    Complete opposite here. Played an original Ray from 79 thru 91 and was never really happy. Heavy, kinda thin sounding. Been playing P's since I got back into it in 2000 and couldnt be happier. Funny ole world.

     

    Yes, its weird how some basses suit some players and others don't. I just had precisions because all of my bass heroes did and thought I'd sound like them if I had one (but without the talent) :)

     

  5. 4 minutes ago, Bassfinger said:

    The HB MB4 is a fantastic bit of kit. Wilko tuners and Warman pickup only add to the range and deliver a lovely tone at one end and a ballsy rock snarl at the other. 

     

    Me and our rhythm guitarist have a bit of an HB fan club going between us.

     

    Do the wilkinson tuners fit as a direct replacement? 

  6. 3 minutes ago, Bassfinger said:

    The HB MB4 is a fantastic bit of kit. Wilko tuners and Warman pickup only add to the range and deliver a lovely tone at one end and a ballsy rock snarl at the other. 

     

    Me and our rhythm guitarist have a bit of an HB fan club going between us.

     

    They are great. 

     

    I've said before I rate my mm84a benton in my top 2 basses ever. And I've had every type of bass going. 

    • Like 1
  7. I've had a bass since 1992. The usual lads decide to form a band thing. It was a precision (copy). That was soon upgraded for a westone precision type bass. 

     

    Then when I started properly playing I got a USA precision. Played it for 10 years without playing anything else. 

     

    Then when that folded I started a function band and it was precisions again. I tried jazzes along the way, but really couldn't gel with them. 

     

    Then I got into tribute acts. Precisions again. Loads of them. Forever swapping. Tried jazzes again, and (apart from the flea jazz) just couldnt gel. 

     

    I was also never ever ever really happy with my precision sound. Nothing wrong with it. But never truly impressed. Punchy on the E string, yes, but not rich anywhere else. 

     

    Then after 30 years of p basses..... I bought a Harley benton double humbucker musicman copy. Absolutely love it. I think it's a fantastic bass. Every sound under the sun. Big, but somehow easy to play and clear sounding everywhere. 

     

    Then over the last few weeks I got the even cheaper Harley benton single humber stingray copy. And once I'd whacked some better strings on and shielded it, it's gorgeous. Seriously fat and gnarly but controllable and warm. Where my precisions would be too fat and dull to really rip into some songs, this does it with ease. 

     

    I've tried these with function band, tribute band and party band and it fits lovely and warm and clear across the scale. The precisions and jazzes in my hands where flat and subdued and sounded a bit lazy. 

     

    I'm sure it's just my style (finger style) and nothing to do with the actual basses, but I can just not get a lively sound out of a precision or jazz. I sound instantly dull, despite fitting in the mix. But now with stingrays (all be it budget ones) everything come to life. 

     

    So, it turns out after 30 years of playing and telling everyone I'm a died in the wool precision player - I'm not. It should have been stingrays all the way! 

    • Like 12
  8. 56 minutes ago, badger said:

    I was watching the "five watt world" episode on the Stingray on YT earlier & they said that SUB stands for"Sports Utility Bass" & I really hope that's true.  :)

     

    You know I remember when they first came out, and I remember reading bass magazine and I'm sure they said the same thing! For years I've remembered that and no one believed me! :)

     

    • Like 1
  9. What do I value about my local music shop? 

     

    The Miserable ignoring of customers when they walk in. 

     

    The useless stock levels of anything bass wise. 

     

    The lies that they have things in stock, but turns out it's in their warehouse, but wont deal with it because you need to order online. 

     

    Their sky high prices. 

     

    The absolute miserable attitude to being helpful to you whilst you are trying to give them your money. 

     

    The complete arrogant attitude when you walk in and the look an aristocrat gives to a street walker. 

     

    As you can tell, I don't like mine. And it's a big chain store. And 5 mins walk from my house. I gave it another chance recently and having been greeted with a grunt, and then told by the assistant still eating his dinner that the only bass strings they stock are daddrio xl and they're £40, I walked out, not to return again for another 5 years. 

     

    • Like 3
  10. 53 minutes ago, Leonard Smalls said:

    Talking of Stu Hamm you can see how he stacks up against some other bass players in this ultimate widdle-fest! For me he's nowhere near the best in this group - top 3 for me (apart from Stan) are Bunny Brunel, Billy Sheehan and Jimmy Johnson - none of whom do slappyclappy stuff...

     

     

    I always try to be positive, but my word, THAT video is everything I don't get about bass playing / players. Each to their own though. It's all good if you like it. Just not for me. 

    • Like 2
    • Thanks 1
  11. Hi all, 

     

    I'm thinking of getting a 'real' US stingray in the future. But with so many variants, and no doubt so many modded ones and indeed fakes, what should I look out for to determine its a genuine US stingray? 

     

    I'm fine with fenders, precisions, jazzes, but stingrays are new to me and to be honest a bit of a minefield. 

     

    Cheers

  12. Best advice I can offer if you're having to Di and you're using the venues sound guy (or someone front outside the band) is to completely trust the sound guy to the point you almost don't care. 

    The sound guy will know his desk and pa better than anyone, and the room if he works there regularly so he'll get the best sound for the band from where the audience are. To do that give him the absolute best, clean non eqd sound you can. 

     

    You need 100% trust though. There's nothing worse than worrying about how you sound out front when you're playing, and nothing worse for a sound guy than a band member trying to do his job for him from a position where they can't even hear what it sounds like in the mix. 

     

    If the sound guy is someone in the band, then same rules apply, but you can have some input into how it sounds, but be prepared to sculpt a new sound. 

     

    In short, if you really need Diing to PA, your on sound stage will not always/ever equate to a good bass sound at the back of the room. 

     

    Only my opinion though, other people's experience may be different. 

    • Like 2
  13. Ashdown RM 210 and RM 115 cabs.

     

    Great cabs. Nice sound and lovely and light and compact. Very light cabs. You can carry each in one hand. 

     

    A few signs of use which ive photographed. There were x2 small tears but they've been glued back. And a few drag marks that look worse on the photos than in real life. 

     

    Great cabs, nice price - £295 for both.  They make a lovely stack that can fit in the boot of a small car.  I actually prefer the sound of these cabs to the ABM cabs. 

     

    Pick up Leyland Lancashire. 

     

     

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    • Like 2
  14. Had a (so called) singer turn up once. He had had 2 months to learn 6 songs. Discussions etc on WhatsApp. 

     

    He turned up an hour and a half late to the audition. 

     

    Then proceeded to say he hadn't really bothered to learn the songs in case we didn't think his voice would go with the band. So he didn't bother. 

     

    He then impromptu asked us to (magically know, learn and immediately play) 6 songs from different artists so he could show us what he could do. We gave it a go - and he was then terrible. 

     

    Then he left after we'd gone through 3 songs and an hour before we were supposed to finish. Said he was busy and had to get home to watch a TV show. 

     

    Unbelievably he said to give him a ring and he'd be down for next rehearsal next week and walked out like mick jagger.... 

     

     

    • Like 1
    • Haha 16
  15. I had a bf 210 at one stage. Well, I had two. Some people swear by them, but they just weren't for me. 

     

    Best advice is buy one second hand, if you don't like it, sell it on for the same price. 

     

    To be fair any modern 210 should keep up with any band if everything eq wise is set up properly. 

    • Like 1
  16. Selling my Tourtec ABS bass case. 

     

    Its this one. RRP is £130.

     

    https://www.pmtonline.co.uk/tourtech-pro-abs-bass-guitar-case?&utm_source=google&utm_medium=cpc&utm_campaign=2309_PMT_BAU_Search_Google+Ads_Shopping_Own+Brand&gad_source=1&gclid=EAIaIQobChMI97CLv5C8hAMVmamDBx2OYQXdEAQYASABEgJkdvD_BwE&gclsrc=aw.ds

     

    Its a case, it does its job, it's light, but strong. Great handle, 4 great locks. 

     

    Its been used, has a few scratches as you'd expect. I've painted small arrows on for this way up notice as shown. The only thing I've noticed is one of the rear hinges had lost its pin (I hadn't noticed, so doesn't affect anything) but I've added a small cable tie just to help. 

     

    Pick up Leyland Lancashire 

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  17. Only my version, but in sound terms "hi fi" means crystal clear. 

     

    I used to equate it to..... 

     

    My old 'hot chocolate greatest hits' album from the 70s, to my Queen A Kind of Magic CD from the 80s.

     

    Probably a bit like comparing a fingerstyle 60s bass line through a svt 810 to a guy playing a load of slap bass. 

     

    I don't know why.... 

     

     

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