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Showing content with the highest reputation on 27/04/21 in all areas

  1. Mesa corner in the bass cave. Current bass rig till new Mesa TT800 arrives in June. Only at rehearsal until gigs start again.
    18 points
  2. Stolen bass... Today I was given some old gear from a coworker who sold his house and is abandoning his studio. Among it is a hand built precision from the Netherlands. I had never heard of the builder so I searched google and found the man's Facebook page. I noticed he had 2 mutual friends. Posted him photo's of the bass asking if it is from his hand and it was indeed. I had also posted 3 pics of it on FB, stating I was handed this bass and I did not know the brand. It did not take long for the rightful owner to recognize his custom made bass which had been stolen from his rehearsal room more then 25 years ago! He showed me pics to prove it, and some social media posts from 2017 of him searching for his lost treasure. Today, I found him his bass and soon as I noticed it is his, I rang him up and gave him my address. Tomorrow he will pick it up. That will be quite a moment for sure! Happy days.
    16 points
  3. @Daz39, ive got a few ideas brewing as i mentioned earlier in the thread, a lot of the material choices for this bass were made with the consideration of "if this experiment goes to s***, how much is this going to cost me?" and so most of the wood choices were relatively inexpensive... as such id love to have another stab using some more expensive wood options in the future, and ive got a few changes id make to the pickups and preamps next time round as well. @binky_bass, certainly not too prying, im happy to share if it helps others! The wood costs were broadly as follows: Body wood - Padauk - approx £22 Body veneer laminations + extra veneers for the neck: approx £80 (these are expensive partly because they are thick constructional veneers, and partly because they cost a lot to ship) neck laminations (veneers /oak boards / rosewood) - approx £50 Namibian rosewood block for the neck through - approx £45 other various veneers etc approx £30 macassar ebony fretboard - £40 inlays - approx £100 Flamed redwood top (imported from US, bit of a difficult one to quantify as it came with a couple others) - approx $80 for the top approx $70 for the shipping plus import tax... probably total about £100 for the rest of the parts: Bigsby b500 clone (a good one) - £35 brass parts for customisation - approx £10 Tune - o matic bridge - £21 TUSQ graphite blocks - £12 Sperzel locking machine heads - £91 assorted extra hardware (inserts, straplocks etc) - approx £30 for the electronics: 3D printed pickup covers + switches - £33 truss rod - £16 carbon fibre in the neck - £32 PCBs for pickups, bobbins, preamps - approx £50 spool of 41AWG wire - £26 electrical components (resistors, caps, pots, knobs etc) - approx £40 bits for power supply + custom cable - approx £30 there were many other assorted costs for sanpaper, fresh router bits+jigsaw blades etc, and stuff i already had like the finishing products which i can't total up here. (if id had a swear jar in the garage id be broke) so based on that math, total would be somewhere around £850-900 ish. which is frustratingly expensive really, ive built some nice basses before for less than half of that, but there just arent many cheaper ways to do some of the stuff on this one. as for time, thats a difficult one to say. i think with all of the reworks of various things id hazard a guess around 240 hours, but maybe more than that. hope that is helpful to anyone wondering like i was saying, id like to do the next one with some fancier woods/veneers... just seen this fretboard blank for sale... that sort of gets the cogs turning
    10 points
  4. I ordered one of those new Charvel PJ's last week and it arrived safely today. Upon opening it however, I was shocked to see that it was the metallic lime green version, not the blue one. The shop had clearly messed up. Well, when I say that, what I mean is I ordered the wrong one...
    9 points
  5. I just listened to an album by Frank Zappa and The Mothers. First time I've ever done so and do you know what? I don't know if I ever want to listen to anything other than Frank Zappa and The Mothers for the rest of time. Have you ever discovered the perfect band that had been right there, unsuspected, in front of you your entire life?
    7 points
  6. I fancied another Jazz bass, so headed over to Promenade Music today. I tried a number of basses in my price range, including a Marco N1 TFL, a Markbass MB JP Black Chrome and an Ex Demo, Fender American Pro Jazz. Each one of them shone, in it's own way but the bass that came home with me was a MIJ Fender Limited Traditional 61, Jazz Bass. Yes, it is a very conventional Jazz bass but when done well, that is a very good thing. I particularly liked the 4 knob (2 x dual concentric) controls, with a volume and tone for either pickup. The C profile neck is a pleasure to play and the vintage style pickups sound full and smooth, with a nice growl. The quality of build and finish are excellent and the overall, traditional feel, sound and aesthetic make this a great, passive bass.
    7 points
  7. He's been found posting in another group called Rockers Reunited looking for bands to rip off and the admin has contacted me (after seeing my post in the Tribute Club about him) to say he's been removed from it. Glad to see the word is spreading about this low life's misdemeanours.
    7 points
  8. I have for sale my Anaconda Essence PJ which I acquired from @RSbassman from this Parish Anaconda Ultra PJ Essence Passive Volume Pan Tone Weight is 3.8 KG or lighter Nut width is 40mm Used but not gigged this is a lovely bass guitar great tone and very versatile indeed It is light in weight and feels really nice and easy to play no dings its only months old currently has flats on but can swop for round wound if preferred Due to circumstances I am selling some of my collection so this is sale only/no trades It will come with a moulded case and I will include delivery anywhere in the UK
    6 points
  9. Looks good with the pickguard removed
    6 points
  10. For sale : Hayman 4040, sunburst - very good condition Formed via a partnership between Jim Burns and Ivor Arbiter in 1969, Hayman made an eclectic British range of electrics in the early 1970, these representing the 'missing link' beween Burns Guitars and the later Shergold instruments. The flagship bass was the Hayman 4040, produced between 1971 & 1975. Designed by Bob Pearson with an obeche body & bound maple neck, the 4040 ploughed its own unique furrow compared to US basses of the time. This one is in the vibrant Hayman sunburst colour scheme, with a substantial transparent pickguard and perspex string holder. The 34" scale neck is bound with a comfortable C profile and low action, and the ultra rare embedded Hayman transparent headstock logo is present & correct, as are the unusual but very 'of its era' knobs & switchgear. The substantial bridge has individually adjustable multi-slotted saddles. Build quality and attention to detail is very good - a portent of the Shergolds to follow. So far, so 1970s - but what really sets this bass apart from its peers are the amazing twin double-pole, staggered split 'Superflux' pickups, which as far as I am aware, were unique to the 4040. These are the most powerful units I have ever come across in a passive bass, and produce an amazingly rich & detailed tone, revealing all the harmonic content and overtones, and showcasing the surprising sustain. The front pickup is snappy and authoritative with full and deep tone, whilst the back makes a marvellous counterpoint, rather like a richer Rickenbacker. Both sit on a floating plate, on top of the 'Vibrasonic' hollow central chamber which presumably plays an important part in all this. Hearing is believing ! As you can see, this 4040 has been used, but still presents well. Everything works. It looks cool hanging on the wall, but it demands to be played.
    5 points
  11. There's a particularly sneaky variation on this where letters from different alphabets that look similar are substituted. Take a look at the following links (but don't click on them!). https://www.basschat.co.uk https://www.bаsschat.co.uk They look the same, right? But the a's in the second one are not the Latin letter a, but the Cyrillic letter а. In many fonts they look very very similar, if not identical. If you're not using a touchscreen, moving your mouse over the second link might show you the Latin-ised URL where you'd actually end up if you clicked on it - some browsers are helpful like that, but not all. Again, please don't click on that second link! I don't know what's at the other end 😅 If an email tries to get you to urgently follow a link, don't - type in the URL yourself. (This is called an https://en.wikipedia.org/wiki/IDN_homograph_attack, if you're feeling geeky 🤓 )
    5 points
  12. Check out 200 motels, you might change your mind ! !
    5 points
  13. Had a look at the warp in the top and now understand exactly what it is and where it is - and I can put it to one side for sorting later as it may sort itself. End on - it's like this...and I'd be proud if I'd done it on purpose - it's basically the shape that @TheGreek asked me to do on his Psilos bass : This is an end-on shot looking from the tailstock towards the nut and it is the purpleheart that's doing it. It was glued under clamping, but the moisture from the glue clearly has expanded the pupleheart, the top has glued and is held by the less porous walnut, the bottom has then dried and shrunk and pulled it into a bow. The same sort of thing can happen when you are gluing veneer, but that doesn't have the strength to bend the underlying wood. Now, if I was skilled enough, I would carve the mating surface of the oak to be the same shape, because my cunning plan on reducing weight is to add a touch of this at the back - not as extreme as this (which is @Len_derby 's lightweight Swift) but more like the curve above : "And if I was skilled enough, I would carve the mating surface of the oak to be the same shape..." But I'm not Under clamping, it will flatten - but it is a huge force that I wouldn't want to be sitting in the middle of a bass over the next 20 years or so. But I will, any event, be routing out much of the purpleheart out and that will help. If it doesn't fully sort it, I can cut some stress relief slots along the length of the internal face of purpleheart that will sort is and still be fully invisible. But all of that can wait because it's onto finalising the back weight relief, control chamber, etc, etc, etc
    5 points
  14. A pleasant surprise today in that Jon sent some more photos from Shuker HQ....
    5 points
  15. I discovered FZ around 1969, and yes, that was pretty much my reaction. My entire life was a fairly low bar at that time though, I was 16 years old! At some point you might want to check out his son Dweezil's band Zappa Plays Zappa too; it features both some of Frank's longtime band members and some amazing younger players. I'd rate it as the best cover band I've ever heard live, probably. The show I saw had Napoleon Murphy Brock, Terry Bozzio, and Steve Vai onboard. Here's a cut from the Portland show I attended:
    4 points
  16. 4 points
  17. The good news is that the mating surface of through-neck and wings are pleasingly flat And to the internal features and chambers - but to do that, I need to know, broadly at least, the external carve. And the carve to me is also an iterative process. The mathematicians amongst you will shake their heads disapprovingly and mutter, "Iterations on top of iterations...it's going to turn out like a camel..." Anyway, camel or thoroughbred, it's the only way I can work. So time to take some of the bulk away that I know needs to go before I can see what might make it look nice too... For roughing out, I ought to buy myself a proper carver's chisel, but this is what I'm starting with - including my trusty Veritas Pullshave...the one example (or maybe the ONLY example) of an impulse buy being exactly what I needed as well as what I wanted All plays havoc with the arthritis, but half an hour later: And another half-hour, a decent start-off point: Bear in mind that this body is still oversize, but just having this done helps me think where to take the back carve next. I would hate to do it CNC...there is no way I could envisage it all first!!
    4 points
  18. gig battle-scars, adds to the mojo 😎 But to be REALLY cool you need bullet holes. Drag optional...
    4 points
  19. 4 points
  20. I bought this a while ago on the forum but really haven’t picked it up, it’s the much praised Chinese made model (I have a 60’s original P and a stingray and it plays as well as them) It’s completely as new without a mark on it, I’ve put a trade value of 300, (it’s had a set up and strings) I’m after a lightweight compact combo, Rumble, GK or markbass ideally, at least 250-300 watts, cash adjustment available and willing to travel a bit for a meet up.
    4 points
  21. Someone told him he had to study the bass...
    4 points
  22. I think it depends on the location... I noticed different values of this rather unknown model of the BB range in the UK and Europe.Japan even more. In Europe (esp Germany for what I can speak in this issue) a very good price would be 300-350 Euros. 400,- -450 Euros would be the usual price without case. Im not interested in cases ('cause over the years...) but very often sellers sell with a case to rise the price a few bucks. Espacially this models are usually not owned by pros or real band players as the instruments often come in a mint condition. I wonder why ... I am playing the 1000ma since it came out and it stood the test of time. It overlived even two 3000ma's because in the end the bolt on neck sounds better to my ears. I highly recommend this model. On the other hand...now that I found a good lacquer guy....don't buy them! I'll take them all! 🙂 (sorry for my English if it sounds weird, I am not a native speaker) Edit: Concerning the pickups... for me it was perfect from the start and now I can't switch back to normal! I had beautiful other BB's but the normal pickup configuration did not sound right for me every time I played them... I just love the neck pickup not to be as boomy as the regular ones. In my eyes (or ears) this is kind of an advantage in the studio or live even more. And concerning studio work... I truely can tell that no other bass has ever gotten the job when the BB1000ma was in the collection of possible basses to record with. Something to rely on ! Maybe it is not a real alrounder. Of course you can play anything you want on it but I think, it's a perfect rock bass. I guess it was planed as a rocker for a bass player of a band like Van Halen 🙂 All the follow up's of Michael Anthony are "the same bass" from a different brand.
    4 points
  23. I’m very fortunate to have maintained a reasonably robust gigging schedule during the year of the virus. I live in a part of the US that has remained more open than many other places. ive managed over 100 gigs over the past year, even with two months completely locked down. they were not high profile. Touring is still pretty much shut down, but I managed to take many small nightclub and restaurant gigs which kept a roof over my head.
    4 points
  24. For sale ; an elegant and classy Adam Clayton signature Fender Jazz Bass, in unmarked condition and barely played :- condition 'mint' Sherwood Green Metallic gloss urethane finished alder body, with matching headstock Maple neck with custom "C" profile and vintage style heel truss-rod adjustment 9.5"-radius rosewood fingerboard with 20 medium jumbo frets and white pearloid block inlays, satin urethane finish on back of neck Dual Fender Custom Shop '60s single-coil Jazz Bass pickups Vintage-style black plastic Jazz Bass control knobs Vintage-style HiMass™ string-through-body/top-load bridge Fender®/Hipshot® Vintage-Style "Lollipop" tuners As the specification shows, everything about the design selections on this bass oozes sophistication, refinement and playability. Additionally, it has all the myriad classic J-Bass tones nailed, and with its super - thick urethane gloss clearcoat, chrome hardware and pearloid scratchplate, it looks stunning in the flesh! Bass comes complete with non OEM tweed hard case
    3 points
  25. Epiphone Jack Casady Semi Acoustic Bass in gold finish, S/N. 090921012. Purchased by me from fellow Basschatter back in 2012 approx. It is in excellent overall condition. There is one small chip photographed and a scuff mark. Low action, strung with 40 -100 Fender flats. Electrics all stock. Possible to try out with a small amp on my patio, all covid secure…… I don’t have a case for it but will throw in a cheapie gig bag if shipping. If collecting you will need to bring your own case. Will be securely packed in a gig bag, and placed in a bass box with lots of cushioning. I use a cheap courier and insure separately with Securus.com who specialise is insuring musical instruments and high value delicate items for very reasonable rates. So to the bass itself…. It sounds very warm smooth and bassy. I tend to use the 50 setting, which is a kind of studio setting, but if you want some umph just flick to 250 or 500….. Even playing loud on stage I haven’t had any problems with feedback. I really don’t want to let this go, but would like the Pelham Blue finish and wouldn’t need both. So looking for £350 plus shipping at cost. Not really open to trades or offers at the moment as these are popular and I think I’ve priced it fairly considering the condition of it. Any questions, please PM me. Thanks for looking.
    3 points
  26. I missed out on one on ebay by a few quid years ago and never saw another. I can't justify the cost of the real thing direct from Status sadly, but this popped up on Facebook marketplace yesterday, good comms with the seller, and today she's mine. Need to work through til 5 now though so can't really get hands on with it, but I'm chuffed so far!
    3 points
  27. Matt and I are discussing offline the control chamber stuff and then I'll start routing some of the lightening chambers and I have some ideas what I want to do at the back. But that purpleheart is bugging me. It will be easier if I take it off and start with some new. To remove it, I did the same as if taking off a fretboard - a hot iron and lots of patience! The patches are oil coming out of it. Stinks too. Weird when the wood to work on always seems dry as a bone. Anyway, it's off...and the walnut is pretty flat again. Just got to get some more purpleheart - I'm going to try somewhere else than DD's with their leadtimes being so long at the moment...
    3 points
  28. I like the 760FX Deep Talkin' flats on my P - they are the lightest gauge
    3 points
  29. I finished my fretless Walnut/Babinga, stereo, heavy contours build. 9.8 lbs Yes, the A string is off in the pic...fixed.
    3 points
  30. Virtually finished now just the soldering, string up, headstock logo and a set up to do...... 👍🏻
    3 points
  31. i don't like the way that neck has snapped...
    3 points
  32. I'm with them through the MU. I've used them once, when I was shunted from behind. There was no damage but their advice was useful in reporting the incident without making a claim. Can't see a catch myself, it's free and the MU would not recommend them if they were not legit.
    3 points
  33. Fuh real dude. Man, I have not listened to Burning Spear in a long time....time to hit up some youtube I would also dig some remakes. Like this one. Personally, I really like the original song even without the reggae vibes. But this reggae version just always had me wanting to dance with my lady...just puts me in a place (sorry if this was also dropped in this thread, no way I can go through the entire thread for now to see what was posted)...play this on a long drive to the beach, or at volume on a beautiful chilled Sunday morning....yesss....
    3 points
  34. Do you have a better suggestion for how we should use Tim?
    3 points
  35. Mini board for my Pbass. Engineer’s Thumb comp > OC10 > Ginger preamp > Peterson
    3 points
  36. Hello everyone my name is Gunther! I am 25 years old I am a naturalist photographer, I love to watch birds.I hope to find friends here.
    2 points
  37. As far as string tension goes: the heavier the gauge the greater the tension in the string; likewise, the longer the scale of the bass the greater the tension will be (strings will feel tighter on a 35" scale than a 34" scale) and; hex core strings feel tighter than round core strings! This was a public service announcement...
    2 points
  38. Hi All Up for grabs is this cracking 2004 German built Warwick Streamer LX Jazzman. Got this in March in trade, however I have sadly not bonded with this beautiful beast tonally as much as I thought I would, just not my cup of tea compared to my Jazz and Rick. Playability wise however it's super tight and fast and is an utter joy to physically play. I have changed the original just-a-nut for the just-a-nut III. The strap pins were glued in, and when I tried to screw them out the screw snapped. I have drilled a pilot hole next to the original posts and fitted Schaller Strap Lock Pins. I have taken photos of where they are as the glue appears to have marked the finish. But this is not noticeable when playing or when your strap is on. Otherwise it's had a thorough clean and does show signs of its 17 years of gigging etc. But I would say it's in overall fair to good condition. It's not a case queen by any stretch but it's not exactly a mangy junkyard dog. produced: 20.12.2004 Description: Streamer, 4-string Honey Violin Oil finish Swamp Ash/AA Flamed Maple top body Ovangkol neck Gold hardware Made in Germany I am open to negotiation on price. Cash is King but am open to trades, no Ibanez. Preferably passive & I am open to 5 strings and fretless also, Flea Jazz or Geddy Jazz. But come at me w.h.y. worse I can say is no thanks. I will ship, will be super well packaged and it will come with a bass centre padded gig bag. Any questions please don't hesitate to ask away. Thanks Tim
    2 points
  39. Type his name in Facebook, these are the results. Hopefully people will learn soon.
    2 points
  40. Tips: - Apostrophe/Overnight sensation - Sheik Yerbouti - Zoot Allures - Them or Us - Man from Utopia - Broadway the Hardway - Roxy and elsewhere - Tinseltown Rebellion - zappa in New York - Lumpy Gravy To name just a few....
    2 points
  41. Long time Zappa fan here too. My introduction was Live In New York, which is still a favourite. He’s one of the very few artists that I’ll blind buy anything that comes out. Received an e-mail from the ZFT the other day announcing the latest release. Didn’t even bother reading the blurb - went straight to pre-order. I also have a ton of bootlegs, which when you take a deep dive into, it’s just amazing the amount of variation in the sets. Not only that, but when you listen to the songs, they’re not always performed the same way night after night either.
    2 points
  42. Thanks bud. He's playing a couple of venues local to me, I'm thinking of phoning them to forewarn them. The venue owners won't want that sort of publicity for their venues. After the stress and anxiety he's caused for us, it's about time he had a dose of his own medicine. A theatre company called "Reveal Media Productions Ltd" has just announced they're working with Mick's band so I've emailed them directly with details. I got given a phone number to contact them on so I just phoned them. The lady who I spoke to said "we are aware of the situation with Mick but as no harm will come to us, we are happy to carry on working with him" then hung up the phone on me. Wow.
    2 points
  43. Brace yourself. It's a long and sometimes bumpy ride... You'll hear some amazing bass players on your travels, tho'. My favourite Zappa stuff is from the mid seventies to the early eighties, but there's stuff to enjoy in every era of his work. Good luck!
    2 points
  44. Cool, I did not know this thread existed. Brings me back to the reason I fell in love with bass in the first place, dub. I can vaguely remember when I used to go to my aunt's place when I was very young and she would have these ole' school reggae vinyls playing and I just did not get the vibe then...it always used to make me feel sleepy But then in later years when dub/dancehall was a big thing in my youth and getting more exposure to that and reggae...the hypnotism and rhythm got you.
    2 points
  45. I keep looking at these which are also on the pricey side! https://www.herrickpickups.com/products/split-8-coil-mm-humbucker/ Would do p, reverse p, mm & single coil out of out of the box. But with coil per string which I think probably puts it in completely different tonal territory!
    2 points
  46. The walnut has black knobs, too. I am not quite sure about the original opamp of the preamp (the type was filed, maybe a 741, or a TL061/071), but it consumes very little energy. I changed it to a NE5534, and the sound became stronger, although the power consumption raised dramatically. Single 9 volt battery. Back plates are plastic with aluminum foil. The pickups are hum-cancelling, coils under GD and AE are in opposite phase. Most of the necks have phenolic resin fretboard, no front markers. My instrument's neck was a bit "soft", it could be bent quite some, but with a 30 - 90 set it stayed in tune pretty well. I used only Rotosound Superwound 606 DBE PSD (double ball-end piano string design) strings. The pots are basic carbon track ones with mechanics in them: blend has a center detent and volume & tone have nice steps. I have seen few special colours (green & white), but I do not know whether they were production models, prototypes, or home/custom made specialities.
    2 points
  47. Almost 'Kawasaki' Green... Green Meanies!
    2 points
  48. So they look like red silks to me?!
    2 points
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