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Showing content with the highest reputation on 27/11/20 in Posts
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I've got enough digital and computerised annoyance in my life that I don't want to introduce it to other parts of my life where I don't find it beneficial. I like digital recording because it makes massive track count and good sound quality affordable (not really bothered about all the editing potential, I'd rather just nail a good vibe as live as possible). I like streaming audio at home because its freed up a lot of space now I have small people taking over our house and it allows us to play random Disney things without buying the CDs. I don't like anything with menus etc when I'm in my musician instrument-playing headspace - I want a knob or a switch to do what it does. I hate when things crash. I don't want to plug a USB into my amp. And I don't like the tendency of digital gear to become obsolete, or fail and be unrepairable. How many of us have analogue stompboxes that are decades old and still sound good? How many of us have older digital FX that we still use? Yes, digital gear can be cheaper and yes it can give more options. But unless I can see a clear benefit for how I approach music then I don't want to use it. Hopefully some musicians will have a similar viewpoint and will buy our stuff - for everyone else there are lots of alternatives!8 points
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Lovely stuff. I want both. Debated spraying one PB a few years ago.6 points
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Due to financial complications in my life I have to sell this fantastic bass. It weighs 8.5 pounds on my bathroom scales and balances perfectly when sitting, no neck dive. The bass is in pristine, unmarked as new condition. It is the best bass if ever played. It comes with EBMM Stingray hardshell case with case candy I have good feedback £1350 plus insured courier £406 points -
Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. MARUSZCZYK Elwood 4 Fretless in almost new condition, 2010 !!! NO TRADES ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £549 GBP !!! (new price is €1200 Euros !!!) In fully working condition, fully original (except for the crap Maruszczyk SC4 pickups changed for ToneRider TRJ1) and in almost new condition. Here are the specifications : Body : one piece swamp ash Neck : one piece very slightly flamed maple Fingerboard : ebony Positions : 21 (lined) Headstock : angled Pickups : 2 brand new ToneRider TRJ1 in 60's position Controls : volume, volume, tone Tuners : no name Maruszczyk 4 in line Bridge : no name Maruszczyk Strings spacing at bridge : 19 mm Nut : black polymer Strings spacing at nut : 11 mm Knobs : original metal dome Scale : 34 inches Hardware colour : chrome Truss rod : one fully working Finish : 3 Tone Sunburst open grain matte Land of craftsmanship : Poland Serial number : 100208 Year : 2010 Weight : 4.255 kilos Action : from 1.5 mm under the G string to 2 mm under the E string at 12th position (can go lower, but was perfect for me) Will be sent in a form fitted polystyrene Eko parcel as I have no bag or case for this bass (no worries as it's like having a soft case wrapping the bass) and will comme with a spare hardly used flat wounds strings set (as seen on the last photo, looks like Rotosound). Non-smoking environment as usual. The bass has been fully set up professionally. It has been fitted with a brand new set of Fodera Medium Nickel Round Wound strings (45 - 65 - 85 - 105). This bass has almost never been played and is almost as new. The ToneRider TRJ1 pickups are terrific sounding vintage pickups. Link to the Maruszczyk Elwood C page : Elwood C | Public Peace (public-peace.de) What you see is what you get ! Look at the photos taken under different angles to see the fantastic almost new condition for a 10 years old bass ! All the photos are here : https://drive.google.com/drive/folders/1otKa943bvinPUtL33_VWxAIWU4EnDlta?usp=sharing Don't hesitate to ask for more.5 points -
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Due to the Covid-19 situation and severe back problems (66% officially disabled because of it) plus right shoulder injury (non-operable capsulitis from which, after more than 3 years, I will never fully recover), I'm selling all my basses over 4 kilos and also the ones I'm not really using. I've also considerably lowered the price for a quick sale. KRAMER The Duke Deluxe Trans Red, 1981, no Hondo Alien !!! NO TRADES ! NON NEGOTIABLE PRICE ! Asking price including shipping fully insured with tracking number to your place in these European countries (ask for other countries) : Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Estonia, Finland, France (excluding French overseas departments and territories), Germany, Hungary, Italy, Latvia, Lithuania, Luxemburg, Monaco, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden and United Kingdom : £399 GBP !!! In fully working condition, fully original (except for the added strap button for better balance, one tuner and the two knobs) and in very good overall condition. Here are the specifications : Body : flamed maple (very hard to photograph) Neck : aluminium with flamed maple inserts and perfect neck joint Fingerboard : ebonol (bakelite, in fact) with aluminium side and front dots Frets : 24 (slightly marked) Headstock : none as it's a headless Pickup : 1 original DiMarzio Twin Jazz Controls : volume, tone, 3 positions switch for parallel / split / series Tuners : 3 unbranded + 1 Gotoh Bridge : original Schaller 3D-4 Strings spacing at bridge : 18.5 mm Nut : none with zero fret Strings spacing at nut : 11.5 mm Knobs : 2 non original metal dome Scale : 30.5 inches Hardware colour : chrome and aluminium Truss rod : none and perfect very slight relief whatever strings gauge you may put Finish : high gloss trans red Land of craftsmanship : USA Serial number : B1577 Year : 1981 Weight : 3.665 kilos Action : from 1.5 mm under the G string to 2 mm under the E string at 12th fret (can go lower, but was perfect for me) Will come with the original Kramer hard case in bad condition and a RockBag. Non-smoking environment as usual. The bass has been fully set up professionally. It has been fitted with a brand new set of D'Addario Nickel Round Wound EXL220 strings (40 - 60 - 75 - 95). This bass, despite its age, is still very modern sounding. There is no skid pad on this one and it seems that there's never been one. Link to the Kramer vintage aluminium page : http://www.vintagekramer.com/alum.htm What you see is what you get ! Look at the photos taken under different angles to see the fantastic condition for an almost 40 years old bass (only very small blemishes at the rear of the neck and some dings and scratches, plus a relocated at the front strap button leaving a small hole) ! All the photos are here : https://drive.google.com/drive/folders/1ODMfzU3efWttew2JpAbaNZv2hTHZMom1?usp=sharing Don't hesitate to ask for more.5 points -
An update - Steve (drummer) was sent to East Grinstead Hospital today where they apparently specialise in reconstructive and micro surgery. He had a two and a half hour operation which was apparently fairly successful. Obviously only time will tell, and there will be 3 months of heavy duty physiotherapy also to follow. And, because of it's impactive nature, playing drums will be out of bounds for even longer than this. Poor guy, he lives for his drumming. 🙁 Thanks for all your BC kindness and good wishes, and, don't forget to take care!5 points
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PMT have 10% off, so I picked up their remaining B-Stock ABM600 Evo-IV, which was £389, so with the 10% off it was pretty well half price. Just what I need in a lockdown, a 600W amp5 points
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Thank you. It’s probably best to leave it as it is, it’s more honest. I think a lot of people have a very different idea of Barefaced to what it actually is. For better or worse, I’m not really financially driven, I just want to make the best possible products in the way that I believe is right. I want to make things that people use for years and years and years, I don’t want to make things that are at all disposable. From a business perceptive I am horribly cursed by a desire to not screw up this planet any more than possible - I know making speakers (the actual drivers, especially the magnets) is not environmentally friendly so I want those speakers to be really valued items that people cherish and thar even outlast me. And I also strongly believe in trying to manufacture here, creating jobs where you get to use your hands, not just poke at a computer. So because of those decisions, everything we make costs a hell of a lot to make. Everything we design takes a really long time to design (I can’t tell you how long we’ve spent on the amp so far...) We operate from an almost comically tiny factory and no-one here, me included, makes much money. Thankfully I’m not a big spender, my wife is very frugal and you can get an awful lot of things free (hurrah for sharing/freecycle groups) or cheap secondhand, and the children don’t seem to mind (yet). Last year I bought a new car because the front wheel snapped off the 15 year old one as the suspension had rusted through - and I really like cars. Well, I say new, it’s almost five years old but that’s new to me! I need to do an official announcement updating customers etc on what Barefaced is up to, but with the massive fall in orders due to the lack of live music, I now have half as many staff as in March, and the staff who are still here are only part-time and mostly furloughed. It’s really hard. I know it’s even worse for all the pro musicians who’ve lost their entire income, the events companies, the list goes on. And of course those who’ve been seriously ill, or had close friends or relatives suffer, or even die from this. I don’t know where I’m rambling with this but I guess I’m trying to say that I’m not sitting in some ivory tower making fancy products, I’m just trying to do something I believe in and earn enough to live. And because margins are fine and right now turnover is much lower than normal, I’m spread very thin trying to wear too many hats so that I can pay the rent and my mortgage and payroll and feed my family and not have to lay off more staff.5 points
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For sale (not 100% sure) is this white Yamaha BB3000A, the active version, made in Japan in the mid '80s. Stunning rosewood fretboard and with only a few minor marks...very good condition and all original, except for the golden string tree. Only for sale because i can use the money. I don't think there is a better version of this bass in this condition...really good example and you know how good it sounds:) I can include a case (not original) and i can ship. Please contact me personally for more pictures/information. Weight: 4.1kg. Offers are welcome. Pictures:4 points
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4 points
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SOLD - Modulus Flea FB4, made in 2000. Aguilar OBP1 and Bartolini pickup. Also comes with the original Bartolini preamp - the Aguilar does the Flea sound so much better so is a great upgrade In used condition, has some dings, but looks great. One small ding is pictured by the fret marker - though can’t be felt when played. The body has the very common lacquer cracks by the neck, but hasn’t gone through to the wood of course Bass has no issues, sounds incredible. Does the FB4 sound like nothing else can. Has the original case. Postage possible, please PM. No trades - only selling now due to cash flow. Cheers.4 points -
more seriously- I imagine there's a part of this pedal which is @alexclaber coming up with something cool with a mate and wanting to release it - just cos it's cool and exciting for him. If they are made to order then there's no real biggie if they don't sell crazy well - worst happens is nobody buys them and he just ends up designing his own pedal for himself... Cos it's fun and interesting is a reason people do things sometimes - I guess at some point Crazy Kiwi and Ped thought it would be fun to start a forum to chat about bass in the uk...4 points
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Oh cool a thread about that new Barefaced pedal... oh look it's up to 8 pages already and I've already missed the part where everyone falls out....4 points
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Labels on the controls means greater expense as any non-English speaking place it is sold will require bespoke printing. Symbols are a great idea. Manuals in different languages can be on the website at a much reduced cost.4 points
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PRICE DROPPED TO £650 Hi, folks Up for grabs goes a nice used Mayones BE4 Custom 4 string bass in very good condition. It's the recent BE4 model that features bolt-on (5 bolts) construction, 5 pieces mahogany-maple comfortable neck on amazakoe (aka ovangkol) body in natural wood oil finish. Custom order was for the fretboard - here it's ebony with wooden (rosewood imo) dot inlays. It was made in 2007 and has the profiled/curved body profile much like in Spector or Warwick basses. Electronics is a factory-installed Bartolini JJ pups and 3 band Bartolini EQ (NTMB 918F). Original Mayones-branded gig bag goes along. Outstanding build quality, great ergonomics and very little signs of use. Shipping within EU+ possible, ask me for cost estimate. Note that due to some complications in my private life I will be able to ship it only after 14th December.3 points -
Damn... that’s sexy 😍😍 kinda miss mine... the one that “asshat” bought and sold. 😂 This won’t be about long.3 points
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Great looking Jazz !!! Rob Harris (Jamiroquai) still has my '74 Jazz on loan - sounding cool in this video3 points
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Some of you may remember how close I came to dying from it back in March. Close enough to have to make the calls to my parents, wife and kids. It wasn’t nice. Now we’re in November and I’m still suffering badly with long COVID. Only working 3 hours a day four mornings, and that’s when I can manage it. I wrote this blog a few months back and haven’t progressed since. In fact I have more symptoms now than I did and am in more pain. Please have a read and factor getting long COVID into your decisions. I took the picture from my critical bed. https://gafranksauthor.home.blog/2020/09/21/living-with-long-covid-19/3 points
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Gratuitous mock up picture #2. I have a body 😉3 points
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I'll be very disappointed when the amp comes out. I wanted a bicycle.3 points
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And There you go ! After a hard work, a long journey to the luthier (fret planning and full adjustment), she's back ! See how oil brings out, much better than varnish, all the colors of the different woods ! She's beautiful and she sounds great Thanks again for all your advice !!3 points
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Similar to the CD/mp3 vs Vinyl argument I guess. (As already mentioned on this thread IIRC!) I am certainly not against modelling etc but for my basic needs I just don't need it, a basic pedalboard and amp/cab set up works. That may all change as the live music scene re-finds its feet and I decide I'm too old and stinky poo to keep doing half of what I do, but even then I'm not sure I'll ever go fully digital. We'll see. I can certainly see its benefits!3 points
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I'd say good for years. They key to the sound is to find one with original speaker and original output transformer. What absolutely needs to be done for safety, great sound and reliability is - - re-cap all the power supply - clean and preserve potentiometers - remove "death cap" (can kill you someday, no joke!!!) - replace bias cap and put variable resistor for precise bias setting (on fixed bias amps) - install 3-prong grounded power cable, remove polarity switch wiring - cut the high voltage "protection" circuit from speaker cable (causes hum, can kill your speaker and output transformer, can shock you with +450V) Other things worth doing (if needed): replace the seal between cab and head, re-fit the speaker frame, clean or re-cone the speaker, change the speaker cable to 1/4" connection and good speaker wire What you should NOT do - change caps/resistors in the signal/channel circuit - they have their own sound we do love. And 99,99% times they don't need replacing. Also, don't put 6550 tubes and stuff like that, you'd kill the OT.3 points
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Oh my. I just read back over this thread. I have nothing but sympathy for Alex. The one thing which used to grind my gears above all else when I ran my own business was armchair experts telling me how it should be done and where I was going wrong. Trust me if you've never been through this it wears you down. Every single person thinks they're being helpful, sharing their 'wisdom' seeing the bigger picture, offering 'constructive criticism' - I heard them all over the years. But actually for the person on the receiving end of this every single one of them just sounds exactly the same as the last. Remember the Harry Enfield character? You don't want to do it like that, you want to do it like this...3 points
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Here we have a bass that I picked up only 2 weeks ago! Unfortunately the misses losing her job and a house move imminant means this has to go as it was the last one in! Trust me, I don't want to but it has to go! Sorry Duncan! It's a KILLER bass!!!! Mint condition 32" scale Upgraded DeArmond USA pickups Output jack moved to the side so you can put it on a stand professionally. groundwound/halfwound strings Comes with a hard case which is functionable as well. I'd rather not ship it as it's a hollow body and we're using all the boxes and packaging for the move! Collection or meeting only!2 points -
SOLD, thanks2 points
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Just got one of these for under £30 (mint/used) and they're only £40 new right now! https://www.tcelectronic.com/product.html?modelCode=P0DDN Adds just the right amount of gain for a lightly overdriven bass grind with a natural feeling compression. The mid boost is great for punching through in a mix and presents some lovely harmonic overtones. I'm late to the party on this as it's been out a few years.... but better late than never. This maybe one of those 'always on' pedals!2 points
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Been a while since I saw one for sale. Looks clean - currently well priced but expect late action. https://www.ebay.co.uk/itm/Jaydee-Bass/114543059896?hash=item1aab4c63b8:g:fqgAAOSwk4tfwAzF2 points
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Apologies if someone has already posted and I missed, but Line 6 have provided an updated set of manuals to bring them up to date for release 3.0 I've attached the one I've downloaded for HX Effects: HX Effects - Manual (3.0).pdf2 points
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I’m a flooring contractor by trade so use knives everyday,it only takes half a second to slip but weeks even months to heal! I’ve had a few nightmares over the years.Rushing a job and not thinking through is the usual recipe ! Less haste more speed is the way indeed!2 points
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Funny you should mention it... I got a ‘78 about a year ago, absolutely loved it but it’s needed work doing to the neck due to a truss rod issue so it’s been with the legend that is Jon Shuker for the past month or so. In the meantime I’ve bought a ‘74. They’re both sunburst with maple fingerboards, I did this deliberately so i’ve got no excuse to keep both! Anyway i’m picking it up from Jon tomorrow and will take some pics of the matching pair. Here’s the ‘78: currently speculatively on eBay, once it’s back home and i’m happy with it I’ll be advertising it elsewhere too. It’s had a refret at Jon’s and the fingerboard has been refinished too so it looks stunning.2 points
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That book is entirely the reason I now have two '70s Jazz basses and am looking for a '60s Precision. It is a truly lovely thing though.2 points
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That’s a pretty sobering read gafbass, I hope you start feeling better soon. I don’t think I’ll be getting in a rehearsal room until I’ve been vaccinated.2 points
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Obviously I’ll have to rewrite that blurb because of how people are assuming it’s just a pedal for going heavy heavy but on the site I do twice mention “subtle overdrive” and also that the distortion channel can go “almost totally clean”. I should probably correct the latter to “totally clean if your bass isn’t too hot and you don’t pluck so hard” because my main basses are all LOUD and my right hand is quite heavy. The joy of pedals rather than cabs is that you can listen to far more useful sound clips. So I’ll get back to that now...2 points
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Funnily enough one of the people I went to the gig was a guitarist who did the same! He was/is an accomplished player himself, though more rooted in blues/rock etc. He couldn’t get over how Geordie was getting the sound he did, especially with seemingly so little effort! I also think they are one of the most effortlessly cool bands I’ve seen - nothing contrived about them, and everything on their own terms (I’m sure they would have had their label challenges/input, but that’s how it seemed, at any road)...2 points
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Absolutely. I've built two fuzz pedals this year. I never use fuzz. But it was fun..!2 points
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My tuppence re: digital vs analog is that until my understanding of patches and menus, etc gets a serious upgrade, then I've no choice but to stick with analog. And I totally accept that I am the weak link in this chain. I'd actually love to get into the digital side of things, but sadly my Luddite brain can't get there yet. Even the Tech21 Programmable BDDI fried my brain when the lights started flashing because the actual knob position didn't reflect where the pot position had been saved. Think I still have some sort of PTSD with that.2 points
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An opinion is just that. It doesn’t have to be right or wrong. Likewise, it doesn’t have to be listened to. If I had acted upon the advice of some of the people on here, I would have been very disappointed in my purchases! I have an (undisclosed) list of people’s opinions that I trust.2 points
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Agreed - in some ways the better digital gets, the more entrenched and fanatic the analogue brigade get!2 points
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@Reggaebass EDIT: forgot about one VERY IMPORTANT thing. It's a must to replace the damping material inside the cab. It's very dangerous for health (its "particles") not to mention it will mess with speaker too. Replace with foam that has qual damping factor to the factory "wool". It only needs a bit of damping. Not much. Too thick/too heavy and will mess with cab overall capacity. These all things should be done when you're serious about B15N performance.2 points
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This is why I'm buying .208'' roundwounds and paying a fortune to have them turned into flatwounds. Remember: if anyone can tell which note you're playing - you're doing it wrong! 😁2 points
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I find them similar in tension to the TIs but a little smoother feeling. They have a rich sound with a lovely ‘plastic’ click/fret noise which cuts through the mix. Hard to describe but I would sum it up as ‘chocolatey’ 😂2 points
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Oh my, that's terrible! let's hope the medics can do their best for him. Life can change in a split second indeed.2 points
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Did you have any bridge problem with you jmj bass2 points
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This ones had everything hasn't it. Drama, romance, horror.... I've been literally gripped all day!2 points
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Summing up this entire thread in 3 quotes:2 points
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In the course of time, I'm hoping that Alex will produce an amp that has top quality components, is repairable at component level, (or at least not having to replace half the amp at similar cost to buying another amp!), is well built, sounds good but not with overly complicated controls - just all you need and nothing you don't. (A matter of opinion, I know.) And solid state - no valves. My Thunderfunk is along the lines of what I'm thinking, or maybe PJB. My Quilter seems well designed too, with quality components. But to me, the selling point would be quality, in design, build and materials. I love what Alex is doing. I was one of his first customers for the original Compact and now use a BB2, Super Midget and a pair of one10s. I'd love to complete the set with a Barefaced amp. Frank.2 points
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Loving that Pelham Blue2 points
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Brexit.2 points
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Guess it depends on how good your immune system is? If you're immune to COVID, keep rehearsing.2 points
