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And the last word on this before we go back to the most important thing - that is: me! ME! MEEEEEEE!!!! Yes - happily everyone has different tastes and that's absolutely fine. For example, I personally cannot see at all the aesthetic appeal of a standard, painted Fender Telecaster. Happily for Fender, tens, if not hundreds, of millions of folks around the world strongly disagree with me. The most important thing to me - actually, as @eude rightly says, the only really important thing - is that he, the original builder and owner, loves it The next important thing to me, personally, is that I love it too. And I do. I love the history of it - a dream of twenty years ago that was dashed. If I can be part of fulfilling that dream, then I will be utterly delighted. I love the katalox. I had never heard of katalox before and it is a bit of a revelation. The photos to it no justice at all - Canon DSLR's are notoriously bad at reproducing accurate reds. It's got a natural oxblood hue to it and that redness contrasts beautifully with the ash. In real life, it looks really, really classy. Bit of a pig to work with, mind you... I love the scale length. @eude had said to me that the 31.5" would make it feel totally different and it does. I love the original carve. I suppose I have the normal paranoia of a builder and modifier whether the changes I make detract rather than enhance. The original carve was VERY tactile. A bit like those wooden comfort stones you can buy. Albeit the body wood alone weighed only a touch less than @Len_derby 's fully finished full scale bass! So, to summarise: I love @Marcoelwray 's builds I love this build Most of all, I love ME 😍 So I'm going back to concentrating on THAT

The WD-800 has a great feature set which in theory would allow one to maximise the efficiency of both the head and cab between the hpf and damping. Its the old thing that people would complain that an amp doesn’t have a feature such as ‘tunable’ HPF and when a company adds that feature along with additional control for a damping thus offering the user a complete ‘solution’ it’s criticised as being superfluous with no actual real world use or experience of it. 😀🤣 Forums eh!!

Cheers people ,you're a lovely bunch and all your posts are much appreciated as always ,I won't stray far from the fold , I've met some of you over the years and some I haven't,all of you a lovely bunch ,big love too you all ❤️

I don't know what is was like in it's 'heyday' but of the 11 basses listed since Thursday morning the 4 priced to sell / good value (imho) for money instruments have sold and a good number of other basses listed earlier have also sold in the last couple of days, so I'd say once people got paid this month and allowing for the seasonal feast of mammon wallet draining the market is fine if things are correctly priced but there are too many overvalued instruments imho, including obviously my Kala Ubass, which I am listing for 50% of what it cost me (I clearly paid too much), but since I bought it Harley Benton and others have been knocking out Uke basses (and everything else) for not much more than the cost of the materials in the west so bringing down the whole lower and middle market values used, why pay £70+ for collection only from Ebay for a often well used or neglected used instrument that was £200-£300 (when originally sold) when a new one with 30 days return and 3 years warranty is now £120 delivered How anyone can think an old Squier is worth twice what a new one costs I don't understand, should be less than half the price of a new one surely regardless of how 'nice' it is as no return, no warranty. I don't think your home insurance company would pay out £700 for a 25 year old mid market bass if it was stolen or lost in a fire without some damn good valuation evidence I bought my used Maruszczyk less than 12 months old for 50% of it's new actual price (not it's list price) and at that price I thought it was a great/good buy but worried that it was flawed somehow as otherwise why would the PO be selling it (and the fact that none else bought it in the month or so it was on Ebay meant others were also concerned as to why it was for sale so cheap), but it's absolutely perfect 😃 just the brand doesn't hold it's value in the same way that overpriced (what the market will bear pricing backed up by price agreements and restricted access to trade) Fenders seem able to do I don't have replacement value insurance so if the Jake was stolen all I'd get back would be what I paid for it and the hard case(which I can prove) probably less some wear and tear and I doubt I could sell it on here for any more than that and I certainly wouldn't ask a lot more than that as I just don't have the front to do that but others clearly do I see the same thing in my day to day work with VW campervans, people buy into the lifestyle, buy a van, do it up, use it, appear to have a great time, then sell expecting to get back every penny they have spent plus some scene-tax, not allowing for all the fun times they had or depreciation due to age/mileage and thus expect the next owners to effectively have subsidised their previous fun; price of vans goes up, everyone tries it on, the value for money/correctly priced stuff doesn't sell as quickly as it should because people are suspicious but if you ask a silly inflated (to me) price people somehow buy into that and then end up paying over the odds and when they come to sell the cycle repeats Don't forget the younger generation didn't grow up with records and record players and buying stuff once to own and have for ever (a good long time at least), they live digital lives, pay to stream, have smaller footprints, micro this and that and 2-3 year replacement cycles on stuff (3-7 years for really big ticket items like cars and domestic appliances), and needing to save money to be able to buy a house or paying over the odds to my generation of landlords means that they won't be buying 2 or 3 or 4 shiny objects to possess unless they are actually making money out of them and I suspect there's a number of traders on here who have realised it is quite hard to monetise music in the digital world but it is possible to make money buying and selling instruments/effects etc. so expect more of that

Me too, and it's going to be mine once it's done, which is nice 😎 I chose the Katalox as I wanted something dark and understated and it absolutely delivers. The carve may seem a little basic, but it's smooth and elegant. I originally carved it over several evenings until it felt right and that's a process that Andy also did which was good to hear. Personally, I'm absolutely delighted about how this bass is turning out, and given the customer is always right that trumps everything 😉 Eude

And wine. Thread wasn't derailed, it just bacame a wee bit Pinteresque.

Absolutely! Black Friday Week on Saturday Deal - free colour coordinating cushion with every heavily modded 20 year old project! Haven't told MrsAndyjr1515 yet, but I'm sure she'll be fully supportive

Funnily enough I’m at the studio next to phil’s workshop on Monday. i played his final dissertation build (hollow Ric inspired thing) in 2003! you do the thinking, I’ll do the walking - cheers @BassBunny

Second slurry and wipe for the body and first for the neck and headstock: Piling this and all of the hardware on the scales, it's going to end up just over 8lbs and should balance nicely Not too many items left on the to do list, to be honest... Andy

...and there was me thinking I needed to develop my own style of music...

Imho it's more about respect than food. I've never (yet) played in a function band, but I've twice booked a band for a function - for my wedding in 1999, an excellent local pub covers band with the wonderful name of Gene Therapy and the Chromosomes, and for my 60th birthday party in 2015, Kyla Brox, and Virgil and the Accelerators. Both times I made it clear in advance that they would have as much to eat from the buffet as they wanted, and an open tab at the bar. For the first they only arrived to set up after the other guests had helped themselves, but there was plenty of everything left. For the second the musicians got first dibs. All were musicians I'd seen live and chatted to many times, and I'd booked them because I liked and respected them, but I'd have done the same for anyone I was prepared to book. Musicians aren't servants, they (we?) are skilled professionals and should be treated as such. As I said to the buffet and bar staff on both occasions, "Musicians are important, and should be looked after."

Well if it has to be gender specific, I would say it's a boy's bass not a "Men's" one, I'm sure most women players would be more discerning. It's also priced 1p more expensive than a brand new one.

Friday night randomness happened, aided by gin.

Sorry but I completely disagree sometimes less is more!!...............

I posted in a similar vein last month. on Monday I meet a new band. hard to tell what can be around the corner

Hotel California.... Just saying' 😀 You can check out, but you can never leave (There is a much deeper story from me, but another day mebbe.)

First finish coat. Well, I think that looks pretty classy already I'm still amazed what a difference 0.6mm of veneer makes...

The LBGS has been moved from its customary slot in March to the last weekend in September (TBC), so it looks like we'll have to wait a few extra months for our next one. There are lots of other changes and improvements which will be officially announced shortly - I'll keep you posted when I know more. We'll have to make sure not to set the date of the South East bash on that weekend! 😮

No it's not mine.... I stupidly sold my two BB 300 years ago... I had both Taiwanese and Japanese versions...

Yeah. Impulsive idiot that I am.

The Audio Technica ATH M40’s come with a couple of cables, one is 3m straight, the other 1.2m to 3m coiled. I think the M50’s do too.

I thought Bag Ladies were no longer fertile. You live and learn.

I picked one up too..already used it on a gig and got another tonight. It's very easy to use and capable of pretty much any bass tone you might want. The eq is very flexible and produces a very powerful sound which works great with the band and seems to be built like a tank. I was interested in these when they came out but at this price it's an absolute bargain. Sonically it sits somewhere between my ABM and my old Ampeg but definitely has it's own thing going on.

Me too thanks to this thread! Really digging their stuff.

He still needs a real hairdresser. 🤣

Montys guitars in Acton are really good. https://www.montysguitars.com/

Forget the notes, just play 54-46 for as long as it takes for you to find the groove. Doesn't matter if it takes minutes, days or weeks, just focus on feel.

It’s not a stupid question at all, because lots of the notes are played on the offbeat ,that’s what gives the Bassline a different feel , you will also play pickup notes which are notes before the 1 if you are counting 1,2,3,4 . A good tune to practice getting the timing is Stir it up , Bob Marley . IMO Robbie Shakespeare is one of the best reggae bass players ever 😀. Also on YouTube Alain m has some great basslines

Great band! One of the best gigs I ever saw was Incognito at the Ilford Island in 1995 with Max Beesley on drums or percussion, and Randy Hope Taylor on bass.. They were phenomenonal...

Danny Thompson on Glory Box cover by John Martyn - killer tone.

Always liked Jonas' Wal slap sound on this: And Gary Willis gets the max from a fretless - especially in his solo (3'30ish)

The tone of Wishbone Ash's Martin Turner on "Argus" is fab. Ah, halycon days cranking that up!

Slightly off the wall maybe but Killing Joke's Love Like Blood bass sound and especially how it sits with the drums in the mix has always been my favourite bass sound and one I have struggled to emulate on any recordings I have done

We have a picky eater in our function band - the drummer is Italian, and has very forthright opinions about English food. Like all picky eaters, we just shrug and ignore him... 🙂 For a wedding gig, we have it in our contract that we are fed and have one drink, and I don't recall any client who has objected. As for the order of buffet access, if the client wants us to go on immediately after the buffet, we politely request we get an early run at the buffet so we're done in time. Again, we've never been refused. The hardest part is maintaining a facial expression of delight when the fifth client in a row announces proudly "We've got a hog roast!" Oh goody... 😕🙂

no we discuss and chat about what we are doing, but the guitarist wants to perhaps control is too strong but lead us in a rockier vein which he has been told we do not want to go,but he persists also whilst I realise there are two sides to every story, I have been as honest and realistic as I can and my recollection of events are spot on, further to say I have found writing this a cathartic experience so thank you all

My perception regards gear changed a few years ago. I had loads of gear and was constantly tone chasing. That was until I borrowed a Behringer head and beaten up 1x12 cab. It sounded fine and had done hundreds of gigs. I just thought “what am I doing?” So I sold all the big gear, the rack mount compressor and other stuff and bought a Rumble...which sounded superb, and I had a few quid left over. A comfortable feeling bass is number one priority then an amp that can be heard, neither of which need to cost a lot. But most importantly, a good band.

Good grief. If the original SRV No.1 came up for sale, it'd be worth that and then some, but that price is sheer ballocks

This is an oddity (excuse the pun) in that I can't imagine many, if any, Bowie tributes would bother with it. David used to do this song in several different ways, but I don't recall him using this format himself, although I believe Lulu still uses it in her set. We usually use the 'Bowie at The Beeb' version as a template, but it was quite refreshing to do it this way for a change. What do you think?