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Showing content with the highest reputation on 27/05/18 in all areas

  1. Just got in from a village pub festival in south Oxfordshire. I wasn't really expecting much from it, but it was exceptionally well organised and run, so was a pleasure to play at. Quite a good weekend, overall, and tomorrow's a second 'Sunday' so should be able to catch up with my mates locally down the pub before the wife goes back to work on Tuesday. Which also happens to be her birthday (one of those that have have a zero in them, too) so I've suggested she doesn't make any plans to cook dinner that night!
    4 points
  2. Close harmonies live always give me shivers too. Alison Krauss and the Union Station do it really well. Also the Sheepdogs, a Canadian "retro-rock" band who deserve to be better known. (good topic, sorry for going ot again!)
    3 points
  3. Not sure that he was ever quite up to singing 'Reach For The Stars'...
    3 points
  4. It sounds like the soundtrack to a yahcht sales video. Guessing that’s the 80s production.
    3 points
  5. Time for a big old pedal sale! I have quite a few items here so have taken an initial shortcut of just whacking the lot up with prices, but photos and descriptions for each item are coming! All prices include UK postage, not interested in any trades as it goes against the concept of a clear out! Darkglass B3K v2 (£160) Photo: https://photos.app.goo.gl/ctNOgh4LjDznHG6q1 Bought to A/B with my old one - played it for a few minutes then boxed it back up, then left it too long to return. Effectively brand new! Lucid Audio Fuzz-o-potamus (£75) Photo: https://photos.app.goo.gl/jpdoUEygCr9bMMoA2 Tweaked Fuzz Face for bass with EQ and clean blend. Massive range from light overdrive to full on buzz with a lot of sub bass! Boss ODB-3 (£45) Photo: https://photos.app.goo.gl/WRllF0xiKZouTONt2 A few signs of wear but otherwise good! TC Corona Mini Chorus (£60) EHX Mini Q-Tron (£60) EHX Q-Tron (£80) (original big box version) Digitech Whammy V (£80) TapTempo Switch (1590A size) (£10) Monte Allums Boss ODB-3 Mod Kit (£25)
    2 points
  6. Return of the Boom Bap. An old school HipHop underground classic. Great drums/bass line . He starts rapping amazingly at 1.35.. Imo.
    2 points
  7. I thought quite the opposite; a high level of virtuosity, coupled with a fine sense of timing and an original enlargement of the tonal range of the solo instrument. Full-on admiration of the work accomplished and a very enjoyable listen. Thanks for posting; it goes some small way towards reconciling my ears to the horrors of the original post.
    2 points
  8. Good Stuff. ^^ Let's hope it gets included in the voting poll, it deserves to have as much chance as any of the others.
    2 points
  9. After all the deliberations and colour changes there’s something about it that I don’t like whether it’s the pickguard shape/colour I’m not sure, but I’m going to be putting a new pickguard on it and make it into a P/J instead I’m thinking Orange will look good
    2 points
  10. Simply amazed this is still here - this is a high-end, through-neck MIJ bass from the early 80s, excellent hardware, build quality on a par with any Aria Pro SB or Ibanez Musician and a ridiculously rare model of what is an uncommon bass to start with. It has a few cosmetic & electonics details (I hesitate to call them "issues") that barely qualify it as a project. The only reason I'm not all over this myself is that I already have a version of the same bass, and I'd sooner see someone get a crazy bargain than buy it myself, tidy it up & flip it for 3 times what Ash is asking. But bloody hell, I'm tempted.
    2 points
  11. Dual-Coil 51 Precision Pickup Ordered one of these from Jess Loureiro. I really like the big bottom end and full-range, fast-attack sound you get from a good 51-style P pickup, but there are times when I'd prefer the enhanced low-mid push and high-mid snap you get from the 57-type split P pickup. I don't want to carry two basses, so I'm hoping the new pickup will give me those enhanced mids, BUT with the fast attack you get from having one pole piece per string. Suh-weet! My plan is to install a toggle switch on the control plate so I can switch between series and parallel, i.e. 57-type and 51-type sounds. Has anyone done this, and what was the outcome..?
    1 point
  12. This'll teach your noisy neighbour to wake you up early on Sunday....go get 'im https://www.preloved.co.uk/adverts/show/117907543/trace-elliot-bass-stack.html?link=%2Fsearch%3Fkeyword%3Dbass%26sectionId%3D2175%26page%3D7
    1 point
  13. A fine example of a 2008 Mexican Fender Jazz. Plays really well lots of MOJO. I bought this as a backup but just isn't being used. I have made some modifications. Its fitted with Aguilar 70's pups, A hipshot X tender, Schaller strap locks and Elixir strings. The upgrades give the bass a greater range and tonal options. It is what it is folks. I have original tuner and pups. You are more than welcome to pop along and try it out. I'm in South Birmingham. weights 8.6Lb 3.9Kg Looking for £700 NO TRADES PLEASE!!!!!
    1 point
  14. They are brilliant. Much underrated !!
    1 point
  15. The Irish folk band im on we do a version of Gulf coast highway. It's not the bass line. it's the audience reaction when our harmonies come together both vocally and the violins. It sends shivers up my spine.
    1 point
  16. They'd only allow you to join if you could type with both hands at once.
    1 point
  17. My 'favourite' changes from week to week, but (bearing in mind I am trying to learn 60+ Grateful Dead songs at the moment) is their 'Sugaree'. Really good swing to the rhythm and great changes into the chorus, with some lovely bass work up the dusty end.
    1 point
  18. I feel for the OP's mate. Couple of things... * If it's choking out on bends it's just as likely to be the neck relief as the action - best he check this before he gives up. And if it isn't the relief it could just be a high fret. Also, if it's a vintage spec neck the 7.5" board radius will always choke out with big bends up at the dusty end unless the action's jacked well high. * Alder / agathis / basswood? TBPH, it's not going to make a huge amount of difference anyway if it's a multi-piece Squier body. Whther it was ash, alder or agathis most people would have to be have to be a total cork-sniffing tone hound to tell the difference blindfold . People go on about alder and ash but afaich there's not much difference, unless it's a shoot-out between some really light, resonant old swamp ash and some boat-anchor alder. Even then the amp and the speaker make more difference than wood types (as the OP's mate has discovered). * I've done the steel trem block thing on a proper Strat and it made a microscopic difference to the sound - nowhere near as much as the difference between setting the bridge to float and setting it flush to the body. * Final thing: He's gone round, played it and walked out the door with it 'as seen'. Very difficult to turn that one around. The other guy claimed it was an alder body; maybe he genuinely thought it was; maybe he's a fibber; hard to prove either way without suggesting the guy's a liar which isn't going to get the Chapman back. Really, I think he's just going to have to suck it up and put some work into the guitar. Caveat emptor.
    1 point
  19. Just got it, it was the Pownall Arms in Bramhall, every thursday evening back in the second half of the 70s. He'd always make time to talk with us and encourage our musical aspirations. So I understand exactly what you mean, and it's good to know he is still playing and hasn't changed. I'll be playing at the birthday bash for the harp player in one of my bands in a week or two, he'll be 75, and still playing (gigged with him last night).
    1 point
  20. My mint & boxed Cali is now for sale should you feel the desire to acquire both...
    1 point
  21. If youre feeling experimental, take a look at artec. They have some pretty decent onboard units.
    1 point
  22. Possible? It sounds like autotune took a s**t on it.
    1 point
  23. I have both and have owned the Keeley, Diamond, and EBS beforehand. I thought the Cali was the comp I was searching for, with the blend and HPF letting me even out the tone but still let of a lot of low end thump through. But it has been dethroned by the underdog, the Spectracomp. The stock preset at 8-10 o'clock on the dial is just perfect for me. 6 knobs on the Cali was always pretty taxing to dial in just right, just enough rope to hang yourself and too many knobs to think about. The Spectracomp is like someone took the most advanced multiband compressor on the market and got a top studio engineer to tweak dozens of parameters to perfection for typical bass use. They nailed it. No noise that I can detect with the stock preset either (others may vary) unless you crank the compression knob. Last time I A/B'd them, the Cali was noisier in fact, however it wasn't a fair test as there were other things in the chain and the Cali was on a daisy chain with a couple of analog drive pedals. Of course this is but one opinion and there are plenty who will think the Cali slays the TC. You'll only know for sure if you try both out yourself!
    1 point
  24. I forgot about this ad. Ive just brought a couple more splitter leads because I ran out of channels on my DC5, should have got your DC8 instead. Cant believe its still here to be honest. GLWTS.
    1 point
  25. Maybe, but it's better than spending it on things you need, isn't it?
    1 point
  26. A high gloss on that wooden one would look very nice.
    1 point
  27. cheers. I'm not near my pc but will do this afternoon
    1 point
  28. It was that album that introduced me to Robben Ford. His first & The Blue Line album is still one of my top 10 albums, Roscoe Beck’s playing on it is sublime.
    1 point
  29. Boats and hos. My parents are both almost 70 and that is their favourite film.
    1 point
  30. I saw (and heard) a great reggae bass player on TV yesterday. He had a headless Steinberger/Hohner (couldn't identify it as it was stickered over the logo) with a properly rounded tone. Helped in no small part by his playing style which was to pluck the strings around the twelfth fret. The effect of plucking hand positioning should not be underestimated - in my experience.
    1 point
  31. Welcome! I also started late - yes play with tracks to get started, but play with other musicians as much as you can! It's scary at first, but bass is all about being the backbone of a band. Plenty of support here, thank you for joining us :-)
    1 point
  32. Just for you I've deleted reference to 'pedal board' in the Q!
    1 point
  33. Congrats on Fulham's promotion Mick. (They clearly have a better goalie than some!) And a huge thanks also for the very generous loan - it's now safely back in its case!
    1 point
  34. 1 point
  35. I'm not sure how much he actually paid for it but I heard he was going to party like it was £19.99
    1 point
  36. For those tempted to go in this direction, Electromarket have a 10% off voucher (REWARD10) running at the moment - they stock a lot of RCF stuff.... No affiliation, just passing on the info!
    1 point
  37. Just a quick pic with the rest of the family........
    1 point
  38. So, I've been doing some testing with 2 P pickups (one from a 4 string thomann kit build and the Bill Lawrence P46) and the cheapo big pole J from AliExpress and finally decided on this last one (more on that in my TB thread about this, don't want to hijack too much). Here's a quick pic... Carving was a mix of my Skil rotary tool, chisel, drill, files and sanding (don't have a proper router -nor the plunge adapter for my rotary tool-), still came out very decent. Here are some samples of the 9 different tone settings it now has, in the following order (coil 1 being closest to bridge): - COILS 1 and 2 (STOCK, typical Musicman): parallel, filtered series, series - COILS 1 and 3 (jazzy, sorta'): parallel, filtered series, series - SINGLE COILS: 1, 2, 3 (this last one is the P'ish one, new pickup soloed) EDIT: sounds better explained in vid...
    1 point
  39. My amp has all the settings at 12 O/C, I plug straight in with no effects and I play my bass, really quite badly. Sometimes my duo partner tweaks one or two of those controls, she doesn't even bother telling me what she's doing anymore. Almost everything else bass related I run past the infinite wisdom and knowledge of the Basschat collective, via that wisdom I've found the perfect bass and the perfect amp for me and I learn so much on here, it's so cool. So I too feel very random and amateur indeed but I also know that if I get in any kind of bass quandary I have this incredible resource to hand... *sheds tear, waves hankie at brave husband from sylvan garden as he heads out over the Channel in a Spitfire* Fade to black during Lark Ascending.
    1 point
  40. If you keep adding dye eventually you get to the point where you obscure the grain of the wood more and more, without necessarily getting any darker. You reach full saturation of colour. It's almost like applying more and more coars of paint - the colour doesn't change. Darker, beyond a small range, can only be achieved using a different blend of pigments.
    1 point
  41. Well, shirley an envelope filter would be .....The Sorting Office? I'll get my coat.
    1 point
  42. Started cutting and gluing!! I'm going to try to make 2 or 3 of these to try a few different things. First off is a sapele body, wenge veneer and maple top. The maple should look quite good when oiled (I'm hoping!!) Glued up sandwiches.... To make running wires through the body easier, I drill holes before gluing the two halves together. I then insert a straw in the hole to prevent any glue clogging it up when the halves are joined. To ensure I don't drill too far into the body, I draw the rough direction of the hole then mark the length with masking tape on the drill. The side have then been joined Then the outline of the bass is rough cut ready for routing
    1 point
  43. Thanks both 'EBS' and Nick. I'm now sorted and my order has been placed with Nick - looks like such a useful piece of kit! In case anyone else is wondering what we're going on about or might be interested:
    1 point
  44. Yup, it was me ! I'm making a few whilst I sort something out with Chris @ Smoothound - if you'd like to send me a message, I can sort one out for you. Cheers, Nick
    1 point
  45. I've been in a band with a few mediocre guitarists with notions. Luckily I've played with good drummers and I just pounded out the bass until the guitarists got his stinky poo together between making mistakes etc. As the end of the gig we usually got praised etc with the guitarists beaming. For all its complexity its an instrument that you can get away with. I find whenever I slip up on bass its REALLY noticable.
    1 point
  46. I joined a ska band about a week ago, had my first gig with them on Saturday. A quick 45 minute set at an indoor event, it was an ideal introduction. Had a whale of a time, loved it. They have a big following and so there was a very decent crowd, all up and dancing from the B of the bang. Set list was: The Prince 007 Gangsters Is This Love? Israelites Ghost Town Tears Of A Clown A Message To You Rudy On My Radio No No No Baggy Trousers Special Brew Night Boat To Cairo I've really enjoyed learning these songs; I was already familiar with them, as ska was the sound of my youth and I've always loved it, and it was great to finally play it. There are some wonderful basslines in there -- my personal highlights are Ghost Town and the utterly gorgeous Is This Love?. Next gig is in two weeks; a longer one this time, more songs to learn!
    1 point
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