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Showing content with the highest reputation on 14/04/18 in all areas

  1. Hi Having borrowed Pete's piccolo bass for the SW Bass Bash and having not yet delivered the 6-string electric I've just finished for my sister-in-law, I had a once-off opportunity to photo the three related lightweight builds together. Here they are: Left to right: The piccolo bass designed and built for our band's bassist Pete. Tuned to guitar pitch but sounds much more like a bass. Multi scale from 25" to 26" Total playing weight 5 1/2lb The 6-string electric built for me. The piccolo was so comfortable to play and sounded so good, I thought I'd try a 6-string version for my own use. 25" scale Total playing weight just under 6lb The 6 string electric just finished for my sister in law. Slightly slimmer (they are all around 1" thick) and designed for full fret access and thumb anchor up to the 24th fret for playing lead. 25" scale Total playing weight 5 1/4lb They are all through neck and feature a convex top and concave back: Those who tried the piccolo at the bash will know that, although it is at guitar pitch, it doesn't sound at all like the bottom 4 strings of a 6-string...it very much has it's very own bassy sound. For the electric 6 strings, I was curious whether 'lightweight and thin' would affect tone at all so I lent the middle one to a number of regular giggers I know. The general consensus is that it cuts through just as well as any of the strats and Les Pauls they would usually be using. Not at all scientific, of course, but there is no apparent loss of clarity or gravitas. The new one on the right hand side of the pic sounds brighter acoustically, but exactly the same through an amp. They are, of course, much lighter on the neck strap than most electrics and when the guinea-pigs later strapped their normal guitars back on, they all reported thinking various combinations of 'WHAT THE ****??' And they were trying out the heavier one of the three It's been a great experiment that may well continue to evolve Andy
    6 points
  2. VOCALIST REQUIRED FOR TERRIBLE BAND Unreliable egotistical diva required to sing badly before their voice fails half way through the second song of each two hour set. The ability to come up with various poor excuses and not turn up for gigs and practices less than half an hour before they need to be there is a must. Must also be able to argue equally with ALL other band members and have tantrums on and off stage whilst maintaining a drunken and/or stoned condition. The ideal applicant won't even turn up to their own audition and preference will be given to applicants who have extremely poor personal hygiene. If you think you can live up to these high expectations you probably won't be arsed to respond to this advert, if not please feel free to message me here.
    4 points
  3. Thanks guys, I am looking forward to it, we will meet him before for a sound check and other things. I followed the Manfreds in the early 60's, I loved those old songs and he is a great blues singer and harmonica player. I didn't realise he was retiring from the blues show, heck he's only 77! Just a youth really... He'll be there singing 'The Lord's my shepherd' (newer version) so we will have played with him if you squint a little
    3 points
  4. I think this is good advice for life in general, not just on a bass forum. Avoid politics and the news and your life will be so much happier!
    3 points
  5. And in 1998, this bass appears. It's the same bass, upgraded with the Basstec pickups and the Kahler bridge. You were right, @Bassassin!
    3 points
  6. Sunday night we have Paul Jones from Manfred Mann & his wife coming to our church to give testimony and sing. We get to play a worship song at the beginning and maybe wallpaper music before as people come in. Should be good.
    2 points
  7. All the talk of Mouradian basses over at Build Diaries got me thinking about Extreme, and Pat Badger specifically. I remembered seeing their set at the Freddie gig in 1992, and looked it up on YouTube to reacquaint myself with it. I’m glad I did; Extreme were on fire that day, they absolutely nailed it. It’s too good not to share...
    2 points
  8. Paul and Fiona have spoken and sung at our church several times. Lovely couple and a great evening of music and testimony. First time they came we backed them for the worship session so they came along to the rehearsal/soundcheck on the Sunday afternoon. That whizzed through no problems so when our regular Worship Leader said, “All done” there was plenty of time left. Paul looked round at the rest of the band, drew a harmonica from his back pocket and said, “Well, anyone fancy a little blues in G then?” Etched in my memory as one of my best ever playing experiences!!!!
    2 points
  9. I've heard that some people have lives outside Basschat!
    2 points
  10. I was at my daughters house the other day and asked her for a newspaper. ' Blimey get with the times Dad' she said as she passed me her iPad thing..... .....I'll tell you what, that bluebottle didn't know what the **** had hit it
    2 points
  11. look, no bass amp - i was feeling sorry for the two guitarists having to lug all their amps, cabs and mega pedalboards etc (but only for a bit)....IEMs and Helix for the win !
    2 points
  12. High and low G??? Clearly knows what he's on about.... He forgets to mention that he's a great photographer too..
    2 points
  13. And here’s a publicity shot of the aforementioned:
    2 points
  14. Think about what you have just said.... 😂😂
    2 points
  15. If you have to hide bass purchases from your significant other, walk out with an empty case saying you're taking a bass to the tech to look at. Come home with that new bass you wanted that she who must be obeyed had denied you
    2 points
  16. Ampstack shared their album. 14 March at 17:44 · Knob tip: If you are one of those people that always runs same settings on your amp, take the knobs off and put them all on straight up or in highest position when on your favoured settings, then it is easy to reset if you have to lend an amp at a gig or whatever.
    2 points
  17. Got my eye on something so need to sell some gear first! custom build precision , zebra wood body, dimarzio P pickup, fender humbucker bridge pickup (both pups have coil split capabilities but presently wired straight) CTS pots volume/tone with 3-way mini toggle for pup select. Allparts neck jazz profile, gotoh reverse wind machineheads, schaller 3D bridge, warwick strap locks. plays and sounds awesome, looking for £400
    1 point
  18. Got this off a friend for the bargain price of £150 yesterday! I have yet to play through it as I want to check it over first as it’s been left in his van for a while. But it powers up and no funny noises. A couple of LEDs need resitting and the fan is filthy and will need some electro lube, but where’s the fun in buying an old amp that doesn’t need a little TLC and fettling?
    1 point
  19. *Sols locally* In terms of tone and playability this is definitely one of the best 5-string jazz style basses out there. Dingwall Super J - in excellent condition. Original toolkit included. Will ship in generic hard-case. Gruv-gear fret-wrap in matching green included. Manufacturer's page: https://www.dingwallguitars.com/super-j More details here: http://www.bassdirect.co.uk/bass_guitar_specialists/Dingwall_SUPERJ.html * Weight = 3.9 kg / 8.6lbs (comfortably light) 5 string passive standard £2300 5 piece maple neck Morado fingerboard, 22 frets, face and side dots Dual carbon fibre spars 2 or 3 piece Alder body with tone chambers, high gloss finish 2x Super Fatty pickups 2x FD3 (Fury Dingwall pickups) Ferrari Green solid colour Extras: Matching headstock - £390 Inlay Blocks £230 Glockenklang 3 band bass/mid/treble eq, active/passive switching, including magnetic battery cover - £320 Total value: £3440
    1 point
  20. I was listening to BIMM's own Spotify list for bass which has some nice tunes on it and thought this one could do with a bump! This is a collaborative list, so BassChatters can add their own favourite bass lines too!
    1 point
  21. I know how you feel. I sold my Stingray to Linus27 of this parish and have regretted it ever since. If you're out there Linus I'd like it back please?
    1 point
  22. Nooooooooo. Heavy amp, light cabs. Two Midgets on their sides with the TE atop. Will scare people. Just make sure you use each Midget on its own amp channel for max heft.
    1 point
  23. I always wanted to be a drummer but back in the day they were expensive, to noisy for a semi on a housing estate, and without transport a none starter. So I learned to play guitar and sing. I was in bands from the age of 14 singing and playing guitar, but I was always a drummer at heart. I play bass now, in one band, and drums in another. I have always had a guitar and have a strum sometimes but my heart is in drumming, and bass.
    1 point
  24. Not me, as this is basically a 5 strings transformed into a 6 strings because of the demand in those days. These were manufactured without knowing what exactly a 6 strings bass was. I would buy a 4 or a 5 strings Aria Pro II, but never a sixer from this period.
    1 point
  25. Messenger's great for running the band. one message to all members who can pick it up at their leisure. It's a good tool.
    1 point
  26. More to the point, how do they get away with an all female orchestra in this day and age?
    1 point
  27. slightly off topic, but I don't really understand why manufacturers can't use the speakon sockets that take a jack up the middle, no innuendo intended
    1 point
  28. And yet you still went ahead and said it anyway. My kind of bass player!!!
    1 point
  29. https://www.gak.co.uk/en/epiphone-premium-solidbody-bass-guitar-gigbag/901767?gclid=Cj0KCQjwzcbWBRDmARIsAM6uChXEJdgk9DgYwNumbLS9dIBSGkk3yvEuTlttcfLvVWZ825E-r4XyvuYaAthGEALw_wcB I use this one. Little bit of a tight fit to get the zipper over the widest part of the body, but not too bad. Nicely padded and plenty of room for straps, cables etc.
    1 point
  30. In the 97 catalog, this bass appears for the first time. I don't think it's there earlier. Obviously this is the basis for the model above. I also found Basstec pickups in the catalogs (I think it was in the 96 catalog). Maybe the model here was an attempt to make an improved model for the Western markets. I don't know.
    1 point
  31. Sorry, @bazzbass, but no earth to the bridge won't cause it to cut out. We don't know how tidy this circuit wiring is, but a good, quick solution would be to buy a new harness from @KiOgon. That would almost certainly sort it.
    1 point
  32. They don't make 'em like they used to. I don't mean that as a compliment.
    1 point
  33. My mother always told me "If you pick it, it will not get better". Always listen to your mum.
    1 point
  34. Simplified things a little but very happy with this.
    1 point
  35. Didn't think I'd be posting the words 'I AM A BENDER' today, yet here we are.
    1 point
  36. Harry and I recently revisited an old hobby involving the transfer of heavy Mesa Boogie equipment from the Netherlands to the UK (and in this case the other way also). As was the case previously, not only was it a seamless transaction, but he was very courteous over a slight faux-pas in packing at the UK end, the outcome of which was luckily minimised somewhat by the tank-like construction of all Mesa gear, even foot-pedals (which I had put in the box before sealing and completely forgotten about, meaning that if - or of course when - the courier decided to put the box on its side, it had the not inconsiderable weight of a Big Block head in an equally heavy case to deal with). We live and learn, in my case, don't pack bass gear whilst supervising young children who are at the same time finding scissors and tape an irresistible temptation! Thanks Harry, here's to the next time mate Chris
    1 point
  37. I didn't find it that controversial to be honest. I understand what he's saying about needing different techniques for different situations and agree 100% with his sentiments regarding the fact that live your tone is either made or lost by the person on the mixing desk.
    1 point
  38. Good afternoon, Ric, and ... Plenty to read and amuse you here, and lots to learn and share.
    1 point
  39. One left for sale A Yamaha LL6SB + fitted with an excellent Freshman Ellipse VT preamp system. The total new value would be about £900+. I was told that this was the early version with an ebony fret board, It is outstandingly resonant but I no way to verify this. I managed to find the following on the internet for the model without the electronics. Thanks to Yamaha’s classic LL modified dreadnought body and the use of premium tonewoods including a Solid Englemann Spruce Top, and Rosewood Back and Sides, the LL6 offers a loud, powerful, well-balanced tone with clear response and excellent projection. Construction features unique to the L-Series include an enlarged neck block for greater stability and better low frequency response, a 3-ply laminated vintage ‘V’ Profile Neck for ultra-comfortable feel. £400 seems a bargain...ooh also it has a name and is called Elaine. I think that she's a bit special https://www.youtube....h?v=D4DBwQEuoaI
    1 point
  40. I don't know why but whenever I read the word 'peccadillo' which, to be fair, isn't that often, I always get these images in my head in true Reggie Perrin fashion.
    1 point
  41. Great idea. It also really confuses people when they borrow your amp - they sound terrible! Bonus.
    1 point
  42. Cheers Al. Totally hear what you are saying, however this is a signature amp built for Geezer Butler.... Built precisely to what Geezer and his tech required with some input from us of course and the Slave Outputs were/are important to what they want. Nothing about the amp was specified down to 'felt like a good idea at the time' I promise. This was never a project to just stick an artists name on a load of existing amps and just take peoples money like one of our competitors in particular may have just done.... with that I guess they have to make the money back they are paying him somehow... ;-) Main point is that anyone buying a Head Of Doom is getting exactly the same amp as Geezer is using built by one of the same two people who built Geezers not a watered down version with his name on.
    1 point
  43. Sorry to disappoint Big Red but sadly the last week or few has been a bit hectic, we have 2 members of staff at the CES show this week and last moment preparations for that meant despite long days last week we fell behind on some bits and then you are forever playing catch up. We are also finishing off the final aspects of the new 2018 products which launch in 2 weeks at the NAMM show. Also today we launched our new website which for the first time we have done totally in house so this has also been a huge drain on us. Then new Ashdown 2018 brochure to complete and get to the printers before Friday or it won’t make the show. Take in that this is on top of the regular day to day running of the company of which we deal with 68 countries, January is always a more hectic month that most mainly down to the NAMM/CES shows and the deadlines that launching products there imposes. Lastly whatever your view/impresssion of us we are but we are a small family company consisting of 10 people from top to bottom. We generally always try to keep on top of answering everything that comes our way but when these days that consists of Emails, Facebook, Twitter, Instagram, YouTube, Basschat and more most of which are dealt with by only 1 or two people it can sometimes mean our replies/interventions take a few more days than normal at certain times of year. Hope that helps to explain the delay, we never knowingly ignore an issue as should be seconded by many of the members here. I’ll hopefully get chance to respond to the more specific b social issues tomorrow.
    1 point
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