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  2. Thanks, John. If anyone is wondering it’s 4kg.
  3. You can move the pots to where you want them without having to change any wiring. The neck of the pots are the same size, if I recall correctly. Just undo the nuts on the front, the pots will drop into the cavity, and move each control where you would like them to be and thread the nut back on. Perhaps label them before you do that, though 😉 The factory standard, courtesy of Breadbin, is Upper front - volume, no indent, green Lower front - pan, indented, blue Upper rear - bass, indented, red Lower rear - treble, indented, yellow but, personally, I like to keep the EQ on the bottom, volume and blend on top. I'd do it like this Upper front - volume Upper rear - pan Lower front - bass Lower rear - treble But it's up to you to decide. Put them where it makes sense to you.
  4. The only non-Status Status I've encountered before is an early 70s Japanese Jazz copy (which oddly, turns up in an old Jedson catalogue) which pre-dates Rob Green's output by about a decade. And lest we forget - his basses were originally called 'Strata' - until Fender noticed & took issue with the first syllable - so neither of these other Status brands are anything to do with Rob. Having had a quick look, these 'Status Series' things do just look like generic 90s-ish budget copies, possibly Korean-made if you're lucky. There's not too much out there but the few pics & mentions all seem to originate from Australia (as does the OP) which suggests it was an Australian importer/distributor using the name.
  5. I use a Bespeco expression pedal connected to the 'Control In' jack on the B6. This is assigned to a 'Master Volume' which sits as an effect in the patch. I don't know of a global option. You could achieve the global volume control using a volume pedal in the signal chain.
  6. Mickey, I'll apologise publicly here, in addition to the one I've just PMd you too. Sorry for this oversight.
  7. I once bought a pre-amp from Rob It did not cost me too many bob It was quickly despatched With packaging unmatched And it worked perfectly - just the job!
  8. Line 6 G10S II transmitter and receiver. Hardly used, fitted to my pedalboard for a short time but not going to need it now as using rack units. Wireless unit for pedalboard in perfect condition, no marks and fully working. Can also include the box. Postage or collection.
  9. I would have thought 'Harvey Mason' would have been considered worthy of a place in the 100 greatest Drummers list, considering his modest CV? Maybe Rolling Stone could have allotted him the number 94 in the position of *greatness*. Artist Credits - Harvey Mason
  10. Line 6 G10S II transmitter and receiver. Hardly used, fitted to my pedalboard for a short time but not going to need it now as using rack units. Wireless unit for pedalboard in perfect condition, no marks and fully working. Can also include the box. Postage or collection.
  11. Ah, I see what you mean! Very similar riffs! Have fun with Jailbreak.
  12. I can't see how to edit the main title but it's actually a Bass Cub II and the model is BG-110.
  13. Bassassin

    Samurai

    It is. But £800? See what I mean by silly prices? Really makes me wish I'd bought the one I saw in a local Crack Converters for £150 a few years back. I might've, if it hadn't been the same colour as mine...
  14. Hi Dylan is this still available mate?
  15. I might have to cut some extra wood from the sides, I guess the body is still too chubby on the sides!
  16. Yes tried different amp, basses, cables etc.
  17. Obviously I recently had this cab completely stripped down to refurbish, so should be all good, but I've checked everything's tight anyway. Always try to check the easy things first 😅
  18. In case this weren’t obvious, as this is a MIDI device, you can trigger it with anything that sends MIDI note data, so that even includes footpedal controllers such as the Morningstar stuff.
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