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Ah - works now!

He does. He even replied to me on talk bass. You sold me on the sound tone hammer and barefaced one10. Just couldn’t find a place to hear it.

It's impossible to overplay bass. I've found it's not so much an instrument as a person. There's always someone who's got to be making a noise all the time. Candidates from my experience have been percussionist, gob-iron player, and acoustic guitarist.

Diamond Meadows - T Rex

It's an interesting area - the Krivo magnetic pickups manage to be a little clearer and more "acoustic" sounding than older designs, presumably using some of the same tricks that modern acoustic guitar soundhole pickups do (controlled microphonics, lower inductance, neo magnets). But no commercial magnetic pickup for bass has cracked the bow response issue yet - because the string vibration is dampened in one plane when bowing (up/down relative to the pickup position), you get unpredictable volume and weird barky attack when bowing with most magnetic pickups. There are a couple of cello systems that place polepieces in between the strings so that they sense the movement in that lateral plane more, but I haven't seen that tried on bass.

If you’ve ever played a James Jamerson bass line, you might have wondered about all the chromatic notes present and how they work musically. Well, there’s a particular technique that Jamerson used, which is more commonly found among jazz musicians. This technique is called an ‘enclosure,’ and utilising it in your bass lines will enable you to play smoother, more hip-sounding lines. I’ve just released a video where I analyze a few Motown bass lines so you can understand how enclosures work. In the lesson, I go on to show you how you can use enclosures when creating your own bass lines. I’ve also created a challenge for you, which you’ll find toward the end of the lesson. This is a new idea that I’m trying out for the channel, so I’d love as many of you as possible to get on board—you might even get featured in one of my future videos! You’ll find the free PDF download link in the video Enjoy!

You need to change your username to Bass Gibbon!!

I understand where your coming from tho I beg to differ... cite "Darling Dear" and a whole tone of additional Motown lines as one collective example. Simple can actually get in the way of the musicality of the piece. The best line will support the melodic shape of the tune and can be either busy or simple.

The chances of any gear list I write now being the same in November are about nil All I will say is that when it comes to travelling hundreds of miles to attend a bass bash, my motto is "go big, or go home"...

You don't need reverb fx pedal when playing in church.

@TheGreek Not sure you've put the right link up there.

Everyone tends to bring something. There'll be enough kit to keep people happy. On the subject of the bass shootout thing, it would be nice to have a list of basses ahead of the curve so I can do some printed sheets for marking.

This exactly. Oh, for a subtle wash of Hammond.

If folks want a pickup winding article ... of course I can oblige ... I've done a pine of historic pickup rewind photo articles over on the Fretboard Forum over the years ... and a good number of them were for bass ... so if I get anything juicy I'll post here for certain. Also if folks want to have a crack at building magnetic pickups for their steel string double basses I'm happy to come up with a design I could help those interested make 🙂

Don't see anything other than the guy here.

Flowers in the rain - the Move

@ Hellzero.... christ mate thats just obscene 🙂 sold my wal 6 string fretless because this 6r is better ! not joking, plays better, sounds better feels better, no dead spots and it was ridiculously cheap ( review on here somewhere) , i still have a wal out of my wall collection of 7 and others i have had, including the midibass, ( which i should not have sold as i need it now) but can say for deffo they are not all made equally ! so here are my two for now 1 a HK 6, ( before they became wolf) burl poplar 2, Doug Wilks jazz, tiger stripe maple/ebony, with john east, MEC gold pickups, schallers