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  1. Past hour
  2. That's my 300th transcription this year. That was my target.
  3. I love the SF Jazz Collective version Jobim's 'Chega De Saudade' from their 2018 album of Jobim tunes. The vibes player on this, Warren Wolf, is a new name for me (I had assumed it was Steve Nelson and had not checked until today) and the opening choruses of Wolf and pianist Ed Simon are thrilling. The part is a very challenging read and has that awesome Latin groove that upsets most bass players who aren't familiar with Latin music. https://bilbosbassbites.co.uk/chega-de-saudade-sf-jazz-collective/
  4. I'm so glad that I'm in a band without any of this kind of BS. — Unless they're plotting to oust me behind my back of course.
  5. Now that’s a novel reason for GAS
  6. I think most of the DNA on this bass belongs to Fred Thomas, as he played it most and last. Pretty funky player though. When JB fired Bootsy he was escorted from the building. Looks like he left the bass behind and Fred used it from then on.
  7. I suspect there’s a reason they stopped making them 👍
  8. Update - they are off. I played in a hot venue and had to tune every song, then I read more about breakages. I have put a set of Evahs on for now until I get the courage to put the Animas back on. Got me thinking I need another bass to try strings..
  9. Given my avatar I will obviously be putting the car and children up for sale immediately so I can buy this and then learn how to extract DNA from skin cells left on the strings and create a serum to inject into myself so I can not only play like Bootsy but also have his voice. The name´s Jacksy baby! 😆 In the real world, I am now off to YouTube to watch this https://www.youtube.com/watch?v=2Sh9cezHNec
  10. Put this together on a Pedaltrain Nano+ as I wanted something simple that was easy to move about etc, and it’s made me remember how much keeping things simple is also much better! The MXR Synth is on there for now, but I don’t really need it for the gigs I use this board for. I am likely going to buy the Tonex One Bass Edition (I have the big Tonex but it’s size is obviously no good for this) and run it in the FX loop of the stomp & I’m also going to take the Synth out and put a standalone compressor on there (Source Audio Atlas for an all digital board maybe!). I can then also drop the ‘Magnum DI’ and I’ll get an adapter and run the XLR out the Stomp, but this does 90-95% of what I need for almost any gig, and so I’ll be using this most the time. I want to make an all analogue board too next as I quite fancy pointlessly wasting nearly £500 on the B15 Bassrig - I know there’s no need at all, but I’m gonna get one anyway it looks/sounds bloody awesome haha 😁
  11. It is a very unsettling situation and I've never been happy with bandmates going plotting behind other people's backs, having been the victim of that kind of thing, after playing with a couple of very slippery people in the past. Gettng your bandmates to be open and honest about this could blow the whole band apart. Could your existing member improve? Why the wait until the new year to replace him? I would at least say you're not entirely comfortable with the way it is being done and that the wait to try the new person makes you nervous. Good luck.
  12. Today
  13. The way that certain strings work on certain basses and some don't is somewhat of a mystery to me. On my Fender Mustang I have tried Fender short scale 95-40(only gauge Fender do then in) Daddario and Ernie Ball short scale strings both in a more standard gauge (105-45 or 105-50, I can't remember) all of which have not quite sounded right. Of the short scale sets the Fender set sounded the least meh so I ordered a 105-45 set of long scale Fender strings with the intention of cutting them down to fit, I put them on and all of a sudden that bass came to life, Strange how that works
  14. Eagles tribute gigs for the last couple of nights. First, Queen's Hall, Edinburgh. It's a gorgeous hall with a lot of history. House PA, extremely good engineer, great lights Best of all, though: 800 people in... on a Thursday night! Hats off to the promoter. Last night was a lovely theatre outside of Whitehaven. A little more cramped, but another very enjoyable night. I used my new (but not new) 1996 MIA Jazz RI, and it's a Bobby Dazzler. Love it. The only downside was the van breaking down as we left Whitehaven. I finally got home just before 5am 😅 💤
  15. The Sadowsky can also be a used purchase if you end up down that route. https://bassbros.co.uk/product/2024-sadowsky-metroexpress-21-vintage-jj-5-2/
  16. Hey gang For a while now I've been on the hunt for a J to use on my Eagles tribute gig. I picked this up a few days ago, and - ever-wary that you don't quite know what a bass really sounds like until you've gigged it - after a couple of shows I've happily torn the plastic film off the pickguard. It's absolutely lovely. Light, resonant, even across the neck, and sits perfectly in the mix. A nice smooth top, with a lovely growl when you slide and dig in. Happy days.
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  17. I got excited about a new Gallien-Krueger in-ear amp for a moment 😀
  18. Stutter Rap - Morris Minor and the Majors
  19. When I saw them I was struck by the minimal communication with the audience. That sounds very different.
  20. Stuttering Blues — John Lee Hooker
  21. Hi All I am looking for a good all round combo or cab/head amp for jazz, slap and rock (mainly home practice at the moment but hopefully looking to be in a band set up within the next 12 months). I am looking at the Fender Rumble combo (100w). Any thoughts or other suggestions? Many thanks, Paul
  22. Friday lunchtime in a central Bournemouth church. We do it twice a year and share the retiring collection with the venue. Church has a regular audience for the music and we add to it - have had 100 folk before but 65 was just fine given the season. The promoter got up to sing on Mojo Workin’ and we played two encores. One of which debuted Time Is Tight. Love a bit of Booker T… Gear: Flea Jazz (currently in ‘for sale’ section), GK MB200 through Barefaced Two10.
  23. A highly interesting and fantastic amp: I ordered the Sisma directly from Jad Freer a while ago. Loud, warm, fat—really awesome! The preamp is based on the legendary Ampeg B15 amp, combining a warm, vintage-like sound with modern features and, of course, significantly less weight. The amp is truly phenomenal, but—I don't play any vintage or Fender-style basses—I'm perfectly happy with my Glockenklang Blue Bird and Vanderkley Spartan. So this fantastic amp is up for grabs and will hopefully be put to good use. I took it to a few rehearsals and two gigs. With less than 20 hours of use, the amp is in absolutely pristine condition and easily passes for new. Save some money and skip the 20 weeks waiting… Specs: Tube preamp based on the iconic B15 sound, studio grade D.I. and Fx Loop, proprietary transistor analog class G power section with high quality switching power supply. 700W @ 4Ohm / 350W @ 8Ohm / 950w @2Ohm Only 3,9Kg – 8.5 lbs. / 25 × 28.5 × 6 cm – 9.8”x 11,2”x 2,3” inch SISMA is the first official bass amp released by Jad Freer Audio which aim to combine the qualities of a classic tube preamp with the punchy and detailed sound reproduction of a big transistor power section maintaining a portability prerogative, until now, only of class D technology. Tube preamp based on the iconic B15 sound Proprietary transistor analog class G power section with high quality switching power supply. 700W @ 4Ohm / 350W @ 8Ohm / 950w @2Ohm in only 3,9 Kg – 8.5 lbs. Build and hand-assembled one by one in Italy. Shipped with high-quality hand-made in Italy custom padded bag. More: https://jadfreeraudio.com/product/sisma-hybrid-bass-head/ Comes with bag and original shipping box. Asking 1222 GBP / 1390 Euro
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  24. Big James Brown fan here. I'm a 24 fret active 5 string player so not my area but still cool to ogle over 😎
  25. I really enjoyed it, and watched the second one with lunch today. Thanks to this thread for tipping me off about them 👍
  26. Anyone that is still legitimally here, well done. If you get past Black Friday, you are on the home run.
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