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  2. peteb
    I think it depends on exactly what you mean. I've just tried to play through what your suggesting and I'm not entirely convinced. I'm sure that if you are playing as a three piece with the guitarist playing a solo, then you could probably make it work. If you have a keys player or another guitar player, then you would most likely need to tip them the wink on what you are intending to do, to ensure that they can follow.
  3. NeA
    back in the 90s, this was my teenage self's dream bass 😍
  4. monad
    Up for sale is this Active Westone Thunder 1A Fresless Bass Guitar. Rare vintage instrument! Made in Japan Comes with a hardcase Collection only! No trades unfortunately...
  5. monad
    This is like the Swiss army knife of basses, has best of both the Fender and Musicman world. I Remember once trying it in the 90s and said I must have one some day. Honestly, I don't even know what all the buttons do Unfortunately It has to go with some other kit because it's not getting used enough...
  6. monad
    A rare premium Ibanez sound gear 6 string bass guitar. Made in Indonesia. If you are looking at this, you know how good they are! this one comes with the original hardcase, a strap and the manual. I tried to take enough photos to show some bumps but the neck is perfect and playability is superb. Strung with flatwounds so no need to ever change them! Reason for selling is only because 4 strings is more than enough for me and I am doing a clear out! Collection only! No trades unfortunately...
  7. peteb started following 1 6 2 5 Turnaround
  8. peteb
    The reason I signed up to Basschat in the first place, was to enquire over the value of a cab that I did eventually buy! Initially, that was the whole point of BC for me, as it is to many members to this day!
  9. Geek99 started following 1 6 2 5 Turnaround
  10. Geek99
    We don’t always talk about that 🤷‍♂️🧐 theres also tonewood, what’s good for metal, are Mex fenders as good as US models, are guitards really as stupid as they seem (for not choosing bass)? the rich tapestry of viable topics in this venerable pantheon of knowledge runs to at least five or so
  11. dub_junkie
    I have two Sabre Classic pickguards for sale. These are for the 2013-2016 reissues. Not sure whether they will fit a pre EB or 80's EB Sabre. Blue abalone, ordered from Armstrong guitars. I think this was on the cusp of them stopping using WD as there was a delay in getting it when they switched supplier Blue mirror is from Pickguards.com/WD Both have a bit of playwear but perfectly usable £35 the pair + postage
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  12. agedhorse started following Mesa Walkabout cab/Subway head compatibility
  13. agedhorse
    Yes, the WD-800 will fit, but because it's 2" less deep you may need to fabricate some hardware. The width and height are identical and they share the same rack ears as well (the current WD rack kit mounting holes are slightly smaller than the old Walkabout, but can easily modified to work with either the WA or WD). The specific caution is because the WD is a lot more powerful than the original WA, I would recommend ONLY using it with the 8 ohm version of the cabinet, and set the amp to 2 ohm mode to scale down the power to 300 watts into 8 ohms (still more than the cabinet can handle but with the HPF set to about 40-50Hz, and the damping set to high, you should be ok).
  14. Obra
    Latest development
  15. Obra
    Like with any other mute, you need to check the tune. Even the sponge under the strings slightly changes a tune. Nothing that a regular tuner can't fix in a second.
  16. PinkMohawk
    Very nice, did you notice any issues with tuning or anything like that once the mute noodle was on?
  17. cetera
    It landed today!! Plays great, lovely neck and sounds awesome. 😎👍 Here are a couple of bad 'artificial light'pics in my studio. Better 'outside' ones to follow when the cloud/rain lifts....
  18. Obra started following Ernie Ball getting into the string mute game
  19. Obra
    I love muting a bass sound, so I bought myself one of the new Ernie Ball Noodle Mute. Here is a sound test I made just now, comparing it with the non muted sound, as muted with other muters...
  20. Rob MacKillop
    Well, Gareth, it will take a few weeks or months to feel you are no longer playing patterns, at least for me it will. I like to just doodle with them sometimes, getting into a groove, following my instincts, no backing track or chord chart. I’m stuck around the V7b9 pages, but enjoying it still. One thing that might derail me is getting a new viola da gamba, or bass viol, in a couple of weeks. That’s bound to take most of my attention. I’ve been waiting for it for months. That and the bass will be my main instruments going forward.
  21. Quatschmacher
    Well, well, cross reference this list with the teaser photo! https://www.guitarcenter.com/riffs/gear-tips/amplifiers--effects/history-of-the-ampeg-b-15-portaflex-bass-amp#On_Wax:_Famous_Tracks_Featuring_the_Ampeg_B-15
  22. Mrbigstuff
    As apposed to what, debating over the merits of the value of a bass none of us are going to buy? 😂
  23. Rick's Fine '52
    I said that, that with Pollock it's all about the concept and originality. I’ve seen many of his paintings, and own a few JS original pieces, and don’t think the execution is better with Pollock, in fact, having studied both, I think JS is far more creative. I’m also fairly certain that JS wouldn’t have created his pieces without Pollocks work preceding his own, and influencing him having defined the style, as you say. I think you contradicted yourself, but we’ve probably digressed from the appeal of an original ‘55 P bass. I won’t even start on original £200m Ferrari 250 GTO’s and their much more reliable £70k replicas. The fact is, the same people aren’t attracted to both. And that’s the point I think.
  24. Today
  25. Burns-bass
    I guess when you see the scale and execution of a genuine Pollock (which are bigger than garage doors) you really can see the difference. Jackson defined the style so by nature his execution is the best. And there is huge skill in it. Maybe give it a try. (I did as part of an art course and much of Pollocks work is much more conceptual than it appears at first glance). Leo was a trailblazer who automated, systematised and refined his craft. He’s the Henry Ford of guitars. Beautifully crafted designs made from cheap components that are endlessly produced (and emulated). They’re things bolted together by low paid workers. That original ones have survived unmolested is surprising and that’s why they’re collectible.
  26. Carl_D
    All or Nothing - Small Faces
  27. Gareth Hughes
    How you getting on Rob? I’ve taken a few steps back, trying to solidify knowing what scale degrees are under hand at all times. I was getting a little too comfy playing patterns, but then maybe that’s a good thing - to go with that you’re hearing instead of over-thinking it. Anyway - more playing of the examples along with tracks is needed for me. I’m still just sounding like an exercise, which is a little demotivating.
  28. sambecker1
    Hahahha thanks @Beedster! I'm looking for a quick sale so any offers will be considered!
  29. Rick's Fine '52
    Well, like everyone, you’re entitled to your view. As a bass player and collector, and artist (very poor amateur), I don’t agree with your art appraisal either, if you’re saying the value is in the concept and execution, I think those are two different things, Leo had the concept, so puts replicas in the shade, and regarding execution, do you think Jackson’s execution was any more skilled than others that have done it since and copied, like John Squire for example? I personally don’t think so. That style doesn’t need skilled execution, it’s all about the concept and interpretation. Which bringing back to guitar terms, Leo was a trailblazer in every aspect of his craft.
  30. snorkie635
    Have another free bump on me.
  31. Beedster
    I’ve seem double basses that don’t look as good as that case, it’s a work of art 👍
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